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VIOLINS OF AUTUMN

Readers who prefer layered characters over racing plot should seek out the more subtle works of Judy Blundell or Kathryn...

An American teenager becomes an Allied spy for the French Resistance during World War II in this briskly paced historical to novel.

Seventeen-year-old Betty Sweeney, aka Adele Blanchard, is thrilled to abandon the staid safety of her European boarding school after she is approached by dashing SOE (Special Operations Executive) agents looking for unassuming young women to serve as spies behind enemy lines in France. “All I have to do is drop into a foreign country, aid and train members of the ever-growing Resistance movement, sabotage railways, travel the country on a bicycle while concealing top-secret information, blow things up, and try not to get killed.” At the end of every cliffhanging chapter, intrepid Adele finds herself in a different do-or-die situation, whether it’s unobtrusively trying to carry her bicycle through rough water under an enemy-occupied bridge or leading a German soldier to certain death in the labyrinthine Paris sewers. She is also caught in a love triangle between French farmer-turned-fighter Pierre and downed American pilot Robbie, one of whom is not destined to live to see the end of the war. The fast pace, well-realized setting and fascinating espionage details help make up for the stereotypical characterizations and stiff dialogue.

Readers who prefer layered characters over racing plot should seek out the more subtle works of Judy Blundell or Kathryn Miller Haines. (Historical fiction. 12 & up)

Pub Date: June 19, 2012

ISBN: 978-0-8027-2299-7

Page Count: 336

Publisher: Walker

Review Posted Online: March 27, 2012

Kirkus Reviews Issue: April 15, 2012

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HAMLET

From the Campfire Graphic Novels series

A solid introduction for budding lovers of the Bard.

Something is rotten in the state of Denmark.

The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.

A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)

Pub Date: Aug. 27, 2019

ISBN: 978-93-81182-51-2

Page Count: 90

Publisher: Campfire

Review Posted Online: July 12, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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SALT TO THE SEA

Heartbreaking, historical, and a little bit hopeful.

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January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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