A solidly entertaining multigenerational saga about sacrifice, self-reliance, and what it means to be family.

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THE IMPERFECTS

When estranged siblings discover that their recently deceased grandmother left behind a multimillion-dollar diamond, they try to look past their differences in order to unearth the secrets of their grandmother’s past.

Beck Miller has a better relationship with her maternal grandmother, Helen, than do either her brother, Jake, who lives across the country, or her married sister, Ashley, who simply can’t be bothered. Their mother, Deborah, has also done precious little to care for her mother over the years, so it's no wonder that when Helen dies, she bequeaths her most valued possession, a bedazzled brooch, to Beck. Beck is shocked to discover that the brooch, which looks like costume jewelry, contains a real 137-karat diamond. Known as the Florentine Diamond, the gem once belonged to the Habsburgs and has been missing since the early 1900s. The stone is worth millions, and Beck feels compelled to share this windfall with her family members despite their dysfunctional relationships. As word spreads that the Millers are in possession of the famous Florentine, every possible claimant, from the FBI to the Italian government, makes efforts to confiscate it from them. The Millers begin investigating Helen’s youth in an effort to prove that she came by the stone honestly. As they uncover details of her childhood, including her narrow escape from the Nazis, the Millers also learn secrets about each other that threaten their already tenuous relationships. Told from the perspectives of all three Miller siblings as well as their mother, the story emphasizes the ways in which varied perceptions of identical facts can create rifts in relationships. The author portrays complex relationships with insight and finesse, if also with a degree of excessive detail. Although the novel has the unfortunate quality of shifting points of view too quickly, often making it feel disjointed, the questions with which the main characters grapple are sufficiently engrossing that readers will remain engaged. Replete with details about gemstones and the mechanisms for determining a diamond’s quality and provenence, the novel showcases how greed and selfishness can cause fissures in relationships that reverberate for generations.

A solidly entertaining multigenerational saga about sacrifice, self-reliance, and what it means to be family.

Pub Date: May 5, 2020

ISBN: 978-0-7783-0507-1

Page Count: 384

Publisher: Park Row Books

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A lovely read—entertaining, poignant, and meaningful.

THE OYSTERVILLE SEWING CIRCLE

After facing tragedy and betrayal in New York, an aspiring fashion designer escapes to her idyllic Pacific coast hometown to raise her best friend’s two young children and finds inspiration, redemption, and love in the unexpected journey.

Caroline Shelby always dreamed of leaving tiny Oysterville, Washington, and becoming a couturier. After years of toil, she finally has a big break only to discover a famous designer has stolen her launch line. When she accuses him, he blackballs her, so she’s already struggling when her best friend, Angelique, a renowned model from Haiti whose work visa has expired, shows up on her doorstep with her two biracial children, running from an abusive partner she won’t identify. When Angelique dies of a drug overdose, Caroline takes custody of the kids and flees back to her hometown. She reconnects with her sprawling family and with Will and Sierra Jensen, who were once her best friends, though their relationships have grown more complicated since Will and Sierra married. Caroline feels guilty that she didn’t realize Angelique was abused and tries to make a difference when she discovers that people she knows in Oysterville are also victims of domestic violence. She creates a support group that becomes a welcome source of professional assistance when some designs she works on for the kids garner local interest that grows regional, then national. Meanwhile, restless Sierra pursues her own dreams, leading to Will and Caroline’s exploring some unresolved feelings. Wiggs’ latest is part revenge fantasy and part romantic fairy tale, and while some details feel too smooth—how fortunate that every person in the circle has some helpful occupation that benefits Caroline's business—Caroline has a challenging road, and she rises to it with compassion and resilience. Timelines alternating among the present and past, both recent and long ago, add tension and depth to a complex narrative that touches on the abuse of power toward women and the extra-high stakes when the women involved are undocumented. Finally, Wiggs writes about the children’s race and immigration status with a soft touch that feels natural and easygoing but that might seem unrealistic to some readers.

A lovely read—entertaining, poignant, and meaningful.

Pub Date: Aug. 13, 2019

ISBN: 978-0-06-242558-4

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 27, 2019

Kirkus Reviews Issue: June 15, 2019

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Charming, challenging, and so interesting you can hardly put it down.

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SUCH A FUN AGE

The relationship between a privileged white mom and her black babysitter is strained by race-related complications.

Blogger/role model/inspirational speaker Alix Chamberlain is none too happy about moving from Manhattan to Philadelphia for her husband Peter's job as a TV newscaster. With no friends or in-laws around to help out with her almost-3-year-old, Briar, and infant, Catherine, she’ll never get anywhere on the book she’s writing unless she hires a sitter. She strikes gold when she finds Emira Tucker. Twenty-five-year-old Emira’s family and friends expect her to get going on a career, but outside the fact that she’s about to get kicked off her parents’ health insurance, she’s happy with her part-time gigs—and Briar is her "favorite little human." Then one day a double-header of racist events topples the apple cart—Emira is stopped by a security guard who thinks she's kidnapped Briar, and when Peter's program shows a segment on the unusual ways teenagers ask their dates to the prom, he blurts out "Let's hope that last one asked her father first" about a black boy hoping to go with a white girl. Alix’s combination of awkwardness and obsession with regard to Emira spins out of control and then is complicated by the reappearance of someone from her past (coincidence alert), where lies yet another racist event. Reid’s debut sparkles with sharp observations and perfect details—food, décor, clothes, social media, etc.—and she’s a dialogue genius, effortlessly incorporating toddler-ese, witty boyfriend–speak, and African American Vernacular English. For about two-thirds of the book, her evenhandedness with her varied cast of characters is impressive, but there’s a point at which any possible empathy for Alix disappears. Not only is she shallow, entitled, unknowingly racist, and a bad mother, but she has not progressed one millimeter since high school, and even then she was worse than we thought. Maybe this was intentional, but it does make things—ha ha—very black and white.

Charming, challenging, and so interesting you can hardly put it down.

Pub Date: Jan. 7, 2020

ISBN: 978-0-525-54190-5

Page Count: 320

Publisher: Putnam

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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