A concise, positive, practical and highly recommended source of advice and solace for anyone guiding a young musician’s life.
Almost everything a parent needs to know about the challenges and rewards of children’s music lessons.
Nathan (Round and Round Together, 2012, etc.) offers the flip side of her 2008 book, The Young Musician’s Survival Guide, and looks at parents’ experiences with their children’s music study, including its delights, dilemmas, expenses and intangibles. Inspired by her own experience but primarily drawing from interviews with other parents, she offers 12 chapters, each carefully labeled so that harried readers can turn directly to the most pertinent information. Every parent who pays for music instruction, ferries children to lessons, provides instruments and listens to his or her kid practicing exercises asks similar questions: Which instrument? Is there life after lessons? Can they make a living at it? Parents of now-famous musicians reveal in interviews that there’s no one right way to begin, or even know to begin, a child’s musical career. Shirley Bell, the mother of world-renowned violinist Joshua Bell, discovered her son’s talent when the 2-year-old created his own musical instrument from rubber bands and drawer knobs, but she says that she “never anticipated that it would be a career.” Other parents share effective, sometimes indirect ways to encourage practicing in two useful sections. One chapter is devoted to finding a teacher and offers wise tips: Attend kids’ concerts and check nearby colleges, local orchestras and summer programs. The interviewees’ consensus is, unsurprisingly, that it’s all worth it, even if children don’t turn into professional musicians; it gives them a lifelong source of delight and, as parent Theresa Chong affirms, it can forge “a close connection…through our shared passion for music.” There’s also a handy bibliography for further research, a source list and an index.
A concise, positive, practical and highly recommended source of advice and solace for anyone guiding a young musician’s life.Pub Date: June 12, 2014
ISBN: 978-0199837120
Page Count: 282
Publisher: Oxford Univ.
Review Posted Online: Dec. 18, 2014
Kirkus Reviews Issue: Jan. 15, 2015
Review Program: Kirkus Indie
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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