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UNTIL THE BEGINNING

Different enough from all the rest to keep genre fans reading.

Picking up right where it left off, the story that started with After the End (2014) continues.

In trying to find her vanished clan, Juneau has met and fallen for Miles, the son of a wealthy pharmaceutical company owner. At the book’s opening, a gunshot Miles has died, but Juneau performs her clan’s Rite to bring him back to life and possibly extend his life for hundreds of years, disease-free. As she mentally Reads the emotions and surroundings of her distant father and others, Juneau begins to detect where her kidnapped clan is being held. She travels the Southwest, finding a hidden reserve where billionaire Hunt Avery has imprisoned her clan, but she learns something new: Avery really wants Juneau. Plum keeps tension high as she follows Juneau across the country, mixing in enough romantic spice to satisfy genre fans. Juneau’s old mentor, Whit, offers scientific explanations for the clan’s superpowers, but Juneau, secure in her mystical spirit connections, holds to her beliefs. After flirting with Whit’s explanations, Plum comes firmly down on Juneau’s side. Of note is Juneau’s relationship with the clan’s special raven messenger, named Poe, adding some intertextual fun. Although she concludes the series plot, the author leaves some latitude for future adventures.

Different enough from all the rest to keep genre fans reading. (Paranormal suspense. 12-18)

Pub Date: May 5, 2015

ISBN: 978-0-06-222563-4

Page Count: 336

Publisher: HarperTeen

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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KINGDOM OF THE WICKED

From the Kingdom of the Wicked series , Vol. 1

An intoxicating, tightly plotted feast for the senses with a dramatic cliffhanger.

A vengeful Sicilian witch forges an unlikely alliance resulting in epic, supernatural consequences.

Eighteen-year-old Emilia di Carlo and her twin sister, Vittoria, have a secret: They are streghe, trained from a young age to use magic. Emilia is as introverted and romantic as her sister is bold and irreverent, but they share a love of good food and a disregard for their grandmother’s warnings about the devil and his brothers. Known as the Malvagi or Wicked, the seven princes of Hell have not been seen in years until tragedy strikes and a foray into forbidden magic accidentally summons the Prince of Wrath: Three witches—including Vittoria—are dead, and Emilia is desperate to avenge her sister and stop the killings. An uneasy truce with Wrath soon blossoms into a tantalizing, dangerous attraction with an uneven power dynamic. Rich worldbuilding constructs a post-unification Kingdom of Italy in which witches, demons, and shape-shifters live—and battle—among oblivious humans in a society strongly influenced by the Catholic brotherhood in its midst. Several significant plot points unfold in a Capuchin monastery and its eerie catacombs, and the brotherhood's conflation of witchcraft with the devil is emphasized throughout. Most characters are cued as White—Emilia and her sister have brown eyes and hair and olive skin—while the dark-haired Wicked have golden skin.

An intoxicating, tightly plotted feast for the senses with a dramatic cliffhanger. (map) (Historical fantasy. 12-18)

Pub Date: Oct. 27, 2020

ISBN: 978-0-316-42846-0

Page Count: 448

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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