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SICK GIRL

Sets the record straight about a so-called medical miracle.

A young woman’s revealing memoir of life after a heart transplant.

Silverstein was a 23-year-old law student when tightness in her chest and episodes of fainting first sent her to her family doctor, who advised her to eat more salt to get her blood pressure up. A year later the same doctor told her she had congestive heart failure and sent her to a cardiologist. After various tests, including a heart biopsy, he told her she had heart muscle damage, presumably from a virus, put her on medication and then referred her to another cardiologist, who sent her to another. The author’s keen assessments of her doctors, her confrontations with them, her expectations and disappointments are among the book’s best moments. After a near-fatal episode of ventricular fibrillation, Silverstein agreed to a heart transplant, unaware of how it would change her life. Shortly after her 25th birthday she received a healthy 13-year-old heart. She had to take daily medications, including strong immunosuppressives to prevent rejection. “I had made a deal with the Devil,” she writes. “In return for one precariously pulsating organ, I would endure a lifetime of poison and all its ill effects.” Her attempts to lead a normal life included marrying one year later, finishing law school, practicing law and eventually becoming an adoptive mother. At her wedding, she successfully posed as a healthy bride, but continuing to keep up appearances was extraordinarily difficult. Hospitalizations for invasive tests occurred regularly; infections plagued her weakened and vulnerable immune system. While working to create the impression of health and energy, she often felt nauseated, exhausted and misunderstood. When, after 17 years a suspicious lump suggested she might have cancer, she was ready to call it quits. She didn’t, however, and the heart that was expected to last no more than a decade has now kept Silverstein alive for 19 years.

Sets the record straight about a so-called medical miracle.

Pub Date: Oct. 1, 2007

ISBN: 978-0-8021-1854-7

Page Count: 256

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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