An astonishing roster, documenting history as it is being made and democracy as it is being unmade.
A Homeric catalog, in numbered lists, of all the wrongs the current occupant of the White House has done unto the republic.
“Not a single A-list celebrity is willing to perform at Trump’s inauguration (at which he tweeted his anger).” So enumerates former Wall Street executive and now nonprofit CEO Siskind. Acting on a suggestion from writer Sarah Kendzior, who provides the foreword, Siskind began writing down “the specific things they never would have believed, things that they never would have done, before the regime came into power,” on the theory that the death of democracy comes with thousands of incremental cuts. Thousands of cuts indeed figure on “The List,” an exacting catalog of kleptocratic maneuvers, exercises in alternative fact, and the shock and awe of executive orders meant to undo everything the preceding administration accomplished. Some of that catalog is a running constant: Meetings on the part of Trumpian officials with various Russian entities figure from the very start, and, as Siskind presciently writes in her “overwhelming” 18-point list of Week 2 alone, “Russian propaganda was the source of much of the ‘fake news’ during the campaign.” The list also includes things in the larger culture, such as the fact that by Week 12, George Orwell’s 1984 was riding the Amazon bestseller list, and by Week 15, emboldened neofascists were vandalizing Jewish cemeteries. Some of Siskind’s reckoning reads as if from ancient history: the firing of former FBI director James Comey, for instance. But much of it remains fresh. By Week 10 and its head-exploding 41 items, Paul Manafort is under suspicion of campaign-finance crimes, while as early as Week 2, daughter Ivanka is insisting on a role as an emissary to heads of state and other foreign dignitaries, even as West Wing denizen Kellyanne Conway is busily violating the Hatch Act from the comfort of the Oval Office couch.
An astonishing roster, documenting history as it is being made and democracy as it is being unmade.Pub Date: March 27, 2018
ISBN: 978-1-63557-271-1
Page Count: 528
Publisher: Bloomsbury
Review Posted Online: March 12, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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