Arch, wry, and quip-ready characters can’t pump up a flaccid tale.
A rabbinical school dropout’s quarter-life passage is trip-wired with bombastic Boomers—in Naked City columnist Sohn’s overwrought second (after Run Catch Kiss, 1999).
Rachel decides to abort her career as a rabbi when a sick man she’s consoling dies critiquing her bedside manner. From there, it’s on to a new calling as bartender to a south Brooklyn gaggle of soulful misfits. Rachel’s lust life picks up when an actor friend introduces her to 48-and-holding cult filmmaker-turned-navel-gazing playwright Hank Powell. Although a super-goy, Hank could be Noel Airman to Rachel’s Marjorie Morningstar, except that Rach is no innocent and Hank’s only visible dramatic talent is crafting sexual scenarios. Perhaps our first-person protagonist should be excused for not noticing right away that Hank is a narcisso-sadist who wants only an inflatable doll, not a human, for a mate. After all, she must expend a considerable amount of energy peppering every page with double-entendres, wisecracks, and bons mots that often land with a thud (“She was the stink bomb of sex bombs”). Arguably worse, the Rachster’s mother has segued from consciousness-raising to menopause support groups seemingly overnight, and her 55-year-old father is doing the horizontal mambo with Rachel’s upstairs neighbor and former friend Liz. Rachel’s Oedipal dilemma is underscored when she has to decide whether or not to tell her mother (who must have missed American Beauty) why her paunchy unemployed father is suddenly doing sit-ups. Sohn’s Cobble Hill is so small an enclave that Rach can walk to her dress-to-order assignations with Hank and right into his boiler/bondage room—so insular a neighborhood, in fact, that the plot is powered largely by chance encounters, making the reader, along with Rachel, yearn to take the action off-borough. Slutwear, sex act-ronyms, and Boomer-bashing abound until Rachel wises up, Mom gets her power surge, and Dad’s comeuppance/epiphany narrowly escapes being an “Aw-w-w” ending.
Arch, wry, and quip-ready characters can’t pump up a flaccid tale.Pub Date: Sept. 1, 2004
ISBN: 0-7432-3828-1
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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