One of the strongest entries yet in this deservedly popular historical series.
Youngest sibling Fleurette takes up sleuthing on her own in the seventh Kopp Sisters adventure.
It opens on a grim note: The sudden death of their brother, Francis, in January 1919 has left the sisters responsible for his pregnant widow, his two older children, and a mountain of debt they had no inkling of. Each of them makes painful sacrifices: Constance gives up her dream job with the FBI in Washington; Norma abandons her plan to live a freer life in Europe; and a bout with scarlet fever has damaged Fleurette’s voice and her nascent stage career. She’s delighted when a lawyer offers her a well-paying gig as a “professional co-respondent,” helping couples who need to prove adultery to get divorced by posing for compromising photos with the husbands. Although nothing even close to adultery occurs, Fleurette knows her sisters would disapprove, and indeed Constance explodes when she finds out. But Fleurette is sick of being told what to do by Constance and storms off; her ignorance of the fact (which readers of previous novels already know) that she is actually Constance’s illegitimate daughter makes their conflict in this volume particularly wrenching. However, the mysterious behavior of one of the lawyer’s clients gets Fleurette involved in what proves to be a confidence scam targeting vulnerable women, and her attempts to bring the wrongdoer to justice land her in jail. Her sisters come to the rescue, each making her individual, forceful contribution to the satisfying resolution of multiple mysteries: Norma’s overbearing nature is instrumental in unravelling Francis’ catastrophic finances; Constance enlists her law enforcement know-how to smooth over Fleurette’s legal troubles. (As usual, Stewart explains in endnotes what in this fact-based story actually happened and what she invented.) It’s a pleasure to watch Fleurette, rather tiresomely vain and self-centered in earlier novels, mature into a strong, independent woman very much in the Kopp mold. As always, Stewart leaves us with the welcome promise of more Kopp sisters adventures to come.
One of the strongest entries yet in this deservedly popular historical series.Pub Date: Sept. 7, 2021
ISBN: 978-0-358-09311-4
Page Count: 304
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.
A luxury liner bound for New York in 1924 becomes the scene of a twisty golden age pastiche.
When an unnamed third-class passenger discovers the body of an elderly man at the bottom of an exterior flight of stairs aboard the Endeavour, Capt. McCrory insists it must be an accident. But James Temple, a Scotland Yard detective who just happens to be aboard, says that no one would have ventured to the outdoor steps in the rain without a coat, so the death should be treated as suspicious. Unable to stop Temple from investigating, McCrory assigns ship’s officer Timothy Birch to accompany him, and Birch promptly becomes the world’s most unwilling Dr. Watson, constantly battling Temple over theories and procedures. Anxious that they have only four days to find a potential killer before the ship docks and lets its 2,000 passengers roam free in New York, he’s especially infuriated at the leisurely pace marked by Temple’s bromide, “Facts before witnesses.” There’s reason to sympathize with Temple, because the suspects in first and second class (the only classes that matter in this ultra-class-conscious world) are cardboard cutouts—the successful banker, his trophy wife, the aspiring artists, the gallery owner—who are much less interesting than the secrets they’re hiding. In his most anachronistic development, author Hindle shows Birch, unlike the imperturbable sidekicks he echoes, sunk in grief over his vanished daughter, Amelia, and his estranged wife, Kate, who left him after Amelia disappeared during one of his ocean voyages. He’d do anything to get his daughter back, he tells Temple, and his determination leads to the biggest surprise of all.
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.Pub Date: Sept. 29, 2026
ISBN: 9798217185740
Page Count: 464
Publisher: Dutton
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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