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BENITO’S SOPAIPILLAS/LAS SOPAIPILLAS DE BENITO

In her latest, Baca offers another tale about the appealing and not always sensible Benito. This time, as young Christina complains to her grandmother about summer heat, her grandmother tells her of a terrible drought in the days when her father Benito was just a boy, struggling alongside his mother to keep their farm going. After passing out while plowing under the blazing sun, Benito wakes to find a scarecrow has come to life and claims to know how to end the drought: by throwing balls of dough into the air to draw the rain and it works! When the balls of dough return to earth with the rain, Benito's mother fries them, thus creating sopaipillas—puffy cloud-like pillows of bread, “soup catchers.” Accardo's illustrations are full-page panels, expressive, colorful and old-fashioned, just like the story itself. Young readers may wonder why no one else seems to know this sure-fire cure for drought, but the very foolishness of it will likely charm them. Both English and Spanish versions move smoothly and quickly, and best of all, there’s a recipe for the treat at the end. (Picture book. 6-9)

Pub Date: April 30, 2007

ISBN: 1-55885-370-7

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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KEENA FORD AND THE FIELD TRIP MIX-UP

Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)

Pub Date: July 1, 2009

ISBN: 978-0-8037-3264-3

Page Count: 112

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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