by Anatole Konstantin ‧ RELEASE DATE: April 25, 2016
An often gripping account of a tempestuous half-century.
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A refugee from the Soviet Union settles in the United States and hustles to make a life there in this memoir.
In 1949, after fleeing Ukraine and attending a university in Germany, Konstantin (A Red Boyhood—Growing Up Under Stalin, 2008) landed in Boston. He had only $22 to his name, warily hidden in the lining of his pants, and the support of his sponsor, the New York Association for New Americans. It wasn’t easy for him to find work as a mechanical engineer, so he barely made ends meet by leapfrogging from one menial job to another. He finally found more promising employment in Ohio and was eventually able, in 1969 at the age of 40, to start his own business with his brother, Bill. Along the way, he fell in love with a woman named Rosaria Puccio, and they married and had children. The author negotiated their religious differences—he’s decidedly secular and she was raised Catholic—with the help of the Ethical Culture Society, a humanist philosophical group that emphasizes the shared moral ground of the world’s major theologies. Konstantin, an avid reader and lifelong student, later earned a master’s degree from Columbia University in industrial management. In this book, he constantly situates his own personal experience in the context of geopolitical affairs, which largely meant the dramatic unfolding of the Cold War. He also includes astute discussions of American politics, never shying away from analysis of major political figures, such as presidents Dwight D. Eisenhower and John F. Kennedy, or watershed events, such as the Bay of Pigs and Watergate. One recurrent theme is his exasperation with Western credulity: “I was still haunted by the question of why so many Americans and European intellectuals…still believed the Soviet propaganda.” This is the second installment of the author’s memoirs, and as in many autobiographies, there’s plenty of space devoted to quotidian affairs—the details of vacations, personal financial matters, and the like. These discussions will largely interest those who know the author personally, particularly his family members. However, his discussions of communism’s unraveling, and of its intellectual attraction to Westerners, provide a stirring testimony of real, though sometimes-ignored, global atrocities. It establishes Konstantin as an extraordinary moral witness who faithfully recorded depredations that man visited upon his fellow man in the name of ideology.
An often gripping account of a tempestuous half-century.Pub Date: April 25, 2016
ISBN: 978-1-944785-03-1
Page Count: -
Publisher: Konstantin Memoirs
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Feb. 1, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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