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PEN 33

Roslund and Hellström (Three Minutes, 2017, etc.) chill the bone with their account of a monstrous pedophile but fail to put...

A serial killer convicted of unthinkable crimes against little girls escapes during a prison transfer and wastes no time targeting his next nursery school victim in this novel first published in Sweden in 2004.

For veteran Detective Superintendent Ewert Grens, an oddball with little control over his anger impulse, having the monstrous Bernt Lund on the loose only ramps up his temper. But it's the quieter rage of Fredrik Steffansson, the father of Lund's latest victim, 5-year-old Marie, that poses a much greater threat. Taking the law into his own hands, he is determined to stop Lund from victimizing more girls. Are his efforts to prevent certain killings morally, and legally, defensible? Or is he no better than a murderer in assuming the power to take another person's life? Known for the social consciousness they bring to their thrillers, Roslund and Hellström depict a world riddled by abuse. The divorced Fredrik was viciously beaten as a boy by his father, as was his older brother, Frans, who threw himself in front of a moving train. For better and worse, this is no standard thriller in which the cops pursue the evil villain and take him down. A key scene is tossed off in matter-of-fact fashion. Grens figures surprisingly little in the narrative. While the co-authors can be admired for the risks they take, there's a nagging sense that we're reading highlights from a larger, more penetrating novel—one that comes to terms with their very nearly unreadable descriptions of Lund's savage acts.

Roslund and Hellström (Three Minutes, 2017, etc.) chill the bone with their account of a monstrous pedophile but fail to put the pieces of this ambitious thriller together in a fully satisfying or rewarding way.

Pub Date: Dec. 5, 2017

ISBN: 978-1-68144-031-2

Page Count: 336

Publisher: Mobius

Review Posted Online: Sept. 17, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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