A wry and reflective literary puzzle about family, love, honor, and adventure.
A smooth criminal is persuaded to investigate a complex riddle left as a strange inheritance to a junkie in Toronto.
Prizewinning Canadian novelist Alexis (Fifteen Dogs, 2015, etc.) offers up a wry and intriguing adventure in this caper novel loosely inspired by Treasure Island. The book’s dashing young protagonist is an old soul at heart—Tancred Palmieri is an unabashed thief we first meet musing over the fate of a purloined diamond as he imbibes in The Green Dolphin, your traditional hive of villainy. At the bar, he’s approached by 50-something drug addict Willow Azarian, who spins a family fable. Her wealthy father, besides leaving millions in inheritance, left Willow and each of her siblings an iconic memento. These included a framed poem, a painting of the Emperor Nero, a bottle of liqueur, a reproduction of a famous Japanese silkscreen, and a model of Frank Lloyd Wright’s Fallingwater, a home in rural Pennsylvania. Willow asks the dashing thief to steal and investigate the mementos to see where they lead. Spoiler alert: Willow dies of her addictions, but Tancred decides to carry out her mission anyway: he may be a thief but his code won’t allow him to break promises. It’s a wonderfully strange premise and one that plays out well on the page. With the help of his “Sancho Panza,” Ollie, and a geriatric taxidermist named Alexander von Wurfel, Palmieri begins stealing and deciphering the clues left by the deceased tycoon. Complications arise when gang lord John Armberg muscles in on Palmieri’s quest, sending an albino thug named Error Colby and his clubfooted sidekick, Sigismund “Freud” Luxemburg, to track his progress. Hot on everyone’s tail is police detective Daniel Mandelshtam, a friend of Palmieri’s since childhood. Even though the book is an old-fashioned quest yarn, Alexis’ immense talent gives it an archetypal patina, glossing characters with shades of honor and subtlety that might have been missed in lesser hands.
A wry and reflective literary puzzle about family, love, honor, and adventure.Pub Date: Oct. 11, 2016
ISBN: 978-1-55245-325-4
Page Count: 240
Publisher: Coach House Books
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility(2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A raw and incandescently written foray into fiction by one of our most gifted poets.
A young man writes a letter to his illiterate mother in an attempt to make sense of his traumatic beginnings.
When Little Dog is a child growing up in Hartford, he is asked to make a family tree. Where other children draw full green branches full of relatives, Little Dog’s branches are bare, with just five names. Born in Vietnam, Little Dog now lives with his abusive—and abused—mother and his schizophrenic grandmother. The Vietnam War casts a long shadow on his life: His mother is the child of an anonymous American soldier—his grandmother survived as a sex worker during the conflict. Without siblings, without a father, Little Dog’s loneliness is exacerbated by his otherness: He is small, poor, Asian, and queer. Much of the novel recounts his first love affair as a teen, with a “redneck” from the white part of town, as he confesses to his mother how this doomed relationship is akin to his violent childhood. In telling the stories of those who exist in the margins, Little Dog says, “I never wanted to build a ‘body of work,’ but to preserve these, our bodies, breathing and unaccounted for, inside the work.” Vuong has written one of the most lauded poetry debuts in recent memory (Night Sky with Exit Wounds, 2016), and his first foray into fiction is poetic in the deepest sense—not merely on the level of language, but in its structure and its intelligence, moving associationally from memory to memory, quoting Barthes, then rapper 50 Cent. The result is an uncategorizable hybrid of what reads like memoir, bildungsroman, and book-length poem. More important than labels, though, is the novel’s earnest and open-hearted belief in the necessity of stories and language for our survival.
A raw and incandescently written foray into fiction by one of our most gifted poets.Pub Date: June 4, 2019
ISBN: 978-0-525-56202-3
Page Count: 256
Publisher: Penguin Press
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
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