Another never-before-translated volume by the famous surrealist, from the translator who, along with Bill Zavatsky, recently won the PEN/Book-of-the-Month-Club translation award for Breton's Earthlight. Taking its title from the Star card in the Tarot deck, this heavily annotated 1944 work is extremely dense, difficult to read and to categorize—it combines poetry, memoir, philosophy, a journal, social commentary (criticizing France and the rest of Europe from the safe harbor of America and Canada), a cautionary tale, mysticism (verging on automatic writing), and a political treatise. As in his better-known novel Nadja, Breton turns woman into myth, endowing her with dreamlike, superhuman qualities. Written for (and inspired by) his third wife, Elisa, these ramblings are haunted on a large scale by the shadow of WW II and on a small scale by personal loss. (One bond between Breton and Elisa, if we are to believe surrealist authority Anna Balakian's introduction, was that both had lost a child: he to divorce, she to drowning.) The theme of Arcanum 17, not stated directly until its final page, is the Utopian quest for ``light,'' which ``can only be known by way of three paths: poetry, liberty, and love.'' Breton appended three ``Apertures'' to the text in 1947 in an attempt to make it more accessible. He begins with an apology for his ``polemical fervor'' in the earlier work, but these three pieces are even more polemical, if only because they are more straightforward. He expounds upon elements that his readers found difficult three years before: war, surrealist love, and a friend's account of a chance (most likely preordained) meeting. Truly an unusual work, elegantly translated. Whether readers will be any more receptive to it now than they were 50 years ago remains to be seen.
Pub Date: Aug. 19, 1994
ISBN: 1-55713-170-8
Page Count: 148
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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