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HUSH, BABY GHOSTLING

A mother ghost soothes her baby to sleep as dawn draws near, summoning visions of ghouls and goblins to help him in his slumber, reassuring him that the “boy / with ten pink toes, blue eyes, / and golden hair” he thinks he sees is “only make-believe.” Lemaitre, working in digitally colored bamboo and ink, presents ghosts of the classic, sheeted variety, big eyes and tiny smiles lending them expression. His colors modulate from a gorgeous purply blue to rosy pink as the day brightens; he depicts the monsters the mother conjures in childlike fashion—there’s nothing at all scary about this book. Although the ghostly role-reversal premise is hardly new, this is a just-sweet-enough example of it for little ones. (Picture book. 3-6)

Pub Date: Aug. 4, 2009

ISBN: 978-1-4169-2545-3

Page Count: 32

Publisher: McElderry

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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MRS. CLAUS TAKES THE REINS

Young children will enjoy this exuberant adventure.

Santa is under the weather, so delivery duties fall to Mrs. Claus.

The cheery Mrs. Claus is all business in her bright green skirt and sweater, with green eyeglasses and red striped stockings and cap. When she and some industrious elves can’t roust Santa from bed, she offers to save Christmas Day. Rhyming text matches the mood of this fast-paced story, from Santa’s “I’m stuffy. I’m sneezy. I’m slow as a yeti. / My big ho-ho-ho isn’t holiday ready” to “She had to act fast to untangle the rein. / ‘I may not have magic, but I’ve got a brain!’ ” The text is part of the design—shouted words are in very large type that often curves through the sky. The illustrations are bright and expressive. The close-up of Santa’s bleary face as he inhales steam from his cocoa is a wonderful complement to the smiles on the elves’ faces as they take orders from the new boss. She maps out her route and solves whatever mishaps she and the reindeer encounter, from tornadoes and blizzards to a hole in the sleigh that leaks multicolor splashes of color. All of the denizens of the North Pole present white.

Young children will enjoy this exuberant adventure. (Picture book. 3-6)

Pub Date: Sept. 18, 2018

ISBN: 978-1-5039-3698-0

Page Count: 32

Publisher: Two Lions

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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