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DIVORCED FROM THE MOB

MY JOURNEY FROM ORGANIZED CRIME TO INDEPENDENT WOMAN

“When you’re in the middle of the shit, it’s hard to keep it all straight,” writes Giovino, who’s clear-eyed enough now to...

An organized-crime woman recounts her “illegal, immoral, and unethical activities” in a fashion that will make readers’ hair stand on end, then fall out altogether.

“In 1992, when I was faced with a set of circumstances that was spiraling out of control and threatening my future and my kids’ futures, I resorted to what I knew best—loan-sharking and my family.” Well, 1992 wasn’t really the start of it, for Giovino had been involved with organized crime from an early age. Raised poor in Brooklyn, her mother helped run a Gambino family gaming club and taught seven-year-old Andrea, one of ten children, how to steal morning deliveries of bread to help feed the family. While Giovino tells her story in an edgy, no-prisoners tone (“I stormed into the kitchen, shoved Johnny aside, and got in Michael’s face, ‘Where are my kids, you fucking sick bastard’ ”), the voice of coauthor Brozek emerges in the uncharacteristically snippy asides (“I was no great student, and the calculus of human interaction was going to be my course of study”). From her first encounters with a wiseguy (“You think I’m gonna let you come into my apartment and have sex with me while my kid is up there sleeping, you piece of shit scumbag?”) through a succession of men who traded in absurd quantities of drugs, Giovino’s choices have brutal consequences. She successfully conveys their appeal—“I was addicted to the kind of high that came with being with these guys”—and reminds us that when you’ve been stone-cold poor, “money is a wonderful painkiller . . . after a while, I was beyond comfortably numb.” When the DEA arrested her, pressuring her boyfriend to cooperate with them, Giovino finally took responsibility for her life and straightened out. She now lives, under her own name, in rural Pennsylvania.

“When you’re in the middle of the shit, it’s hard to keep it all straight,” writes Giovino, who’s clear-eyed enough now to tie her story into a neat, terrible bundle.

Pub Date: May 1, 2004

ISBN: 0-7867-1355-0

Page Count: 272

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2004

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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WHEN THE GAME WAS OURS

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

NBA legends Bird and Johnson, fierce rivals during their playing days, team up on a mutual career retrospective.

With megastars LeBron James and Kobe Bryant and international superstars like China’s Yao Ming pushing it to ever-greater heights of popularity today, it’s difficult to imagine the NBA in 1979, when financial problems, drug scandals and racial issues threatened to destroy the fledgling league. Fortunately, that year marked the coming of two young saviors—one a flashy, charismatic African-American and the other a cocky, blond, self-described “hick.” Arriving fresh off a showdown in the NCAA championship game in which Johnson’s Michigan State Spartans defeated Bird’s Indiana State Sycamores—still the highest-rated college basketball game ever—the duo changed the course of history not just for the league, but the sport itself. While the pair’s on-court accomplishments have been exhaustively chronicled, the narrative hook here is unprecedented insight and commentary from the stars themselves on their unique relationship, a compelling mixture of bitter rivalry and mutual admiration. This snapshot of their respective careers delves with varying degrees of depth into the lives of each man and their on- and off-court achievements, including the historic championship games between Johnson’s Lakers and Bird’s Celtics, their trailblazing endorsement deals and Johnson’s stunning announcement in 1991 that he had tested positive for HIV. Ironically, this nostalgic chronicle about the two men who, along with Michael Jordan, turned more fans onto NBA basketball than any other players, will likely appeal primarily to a narrow cross-section of readers: Bird/Magic fans and hardcore hoop-heads.

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

Pub Date: Nov. 4, 2009

ISBN: 978-0-547-22547-0

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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