AFTER LONG SILENCE

A MEMOIR

A deeply moving family memoir largely about the author’s parents, Holocaust survivors who, like Madeleine Albright’s parents, passed as European refugees to America and brought up their children as largely unpracticing Christians—Catholics, in this case. Fremont’s is in part the tale of two pairs of sisters: first, her aunt’s and her mother’s desperate attempts to survive the Holocaust in part by passing as Catholic Ukrainians, in part by intermarrying (to an Italian count in her aunt’s case) or converting and finally by a kind of willed amnesia in their postwar homes, in America and Italy. Secondly, there is the account of the extensive and successful detective work undertaken by Fremont and her sister to uncover the hidden past. She also explores the more difficult efforts to pierce her mother’s and aunt’s resistance to looking at the unspeakable horrors they had experienced. Equally graphic and moving is the parallel account of Fremont’s father, who miraculously survived six particularly brutal and harrowing years in the Siberian Gulag during and after the Holocaust. Finally, she writes about how her parents’ penchant for silence and secrecy lent an undertone of sadness and unreality to their and their daughters’ otherwise normal and happy lives in the US. In unearthing and reimagining her family’s history, in part through the testimony of her parents’ relatives and friends, in part through historical documents, Fremont describes herself as feeling “like an archeologist dusting layers of sand from ancient rooms.” She has a disconcerting tendency sometimes to veer too abruptly between the past and the present, though this also is understandable, for her memoir concerns how family secrets affect and distort individual lives and family dynamics. But Fremont is an immensely gifted writer who has vividly reconstructed a sensitive and memorable family saga of terror, hiding, and passing, as well as of personal imperatives over two generations around both casting off and confronting the past. (Author tour; radio satellite tour)

Pub Date: Feb. 12, 1999

ISBN: 0-385-33369-2

Page Count: 368

Publisher: Delacorte

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1999

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more