A heartfelt, well-deserved tribute but a muddle for readers not already familiar with the story.
A graphic account of the lives and tragic ends of the young anti-Nazi White Rose martyrs.
Aside from dates, glimpses of documents, and a few invented lines of dialogue, Ciponte’s sketchy narrative text is largely a mix of quotations from classic German writers, Nazi propaganda, and snippets of rhetoric drawn directly from the six exhortatory leaflets (all of which are provided in full as backmatter in an English translation by Arthur R. Schultz) that the White Rose printed and distributed before its abrupt end. This leaves it to the art to create a storyline, and it’s not up to the task, being arranged in loosely sequenced panels, marked by confusingly abrupt changes in time and locale, in which watery figures with hard-to-distinguish features are either posed in static groups or portrayed in head shots. Reproductions of official reports serve in place of explicit depictions of the executions. Russell Freedman’s We Will Not Be Silent (2016) and Kip Wilson’s White Rose (2019) offer a more coherent picture of the short careers of Sophie Scholl and her fellow protesters, but readers will come away appreciating the courage it took for these young collegians to stand up as they did. Though the leaflets are almost unreadably cerebral, they do serve as primary sources for the White Rose’s message.
A heartfelt, well-deserved tribute but a muddle for readers not already familiar with the story. (Graphic nonfiction. 12-15)Pub Date: Feb. 16, 2021
ISBN: 978-0-87486-344-4
Page Count: 112
Publisher: Plough
Review Posted Online: Nov. 25, 2020
Kirkus Reviews Issue: Dec. 15, 2020
In either iteration, a provocative counter to conventional, blinkered views of our national story.
A classic framing of this country’s history from a multicultural perspective, clumsily cut and recast into more simplified language for young readers.
Veering away from the standard “Master Narrative” to tell “the story of a nation peopled by the world,” the violence- and injustice-laden account focuses on minorities, from African- Americans (“the central minority throughout our country’s history”), Mexicans and Native Americans to Japanese, Vietnamese, Sikh, Russian Jewish and Muslim immigrants. Stefoff reduces Takaki’s scholarly but fluid narrative (1993, revised 2008) to choppy sentences and sound-bite quotes. She also adds debatable generalizations, such as a sweeping claim that Native Americans “lived outside of white society’s borders,” and an incorrect one that the Emancipation Proclamation “freed the slaves.” Readers may take a stronger interest in their own cultural heritage from this broad picture of the United States as, historically, a tapestry of ethnic identities that are “separate but also shared”—but being more readable and, by page count at least, only about a third longer, the original version won’t be out of reach of much of the intended audience, despite its denser prose.
In either iteration, a provocative counter to conventional, blinkered views of our national story. (endnotes, glossary, index) (Nonfiction. 12-15)Pub Date: Aug. 28, 2012
ISBN: 978-1-60980-416-9
Page Count: 368
Publisher: Seven Stories
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Thorough to a fault, and for young readers at least, no replacement for Jim Murphy’s oldie but goodie The Long Road to...
Wagonloads of detail weigh down this overstuffed account of the Civil War’s most significant battle and its aftermath.
Martin builds his narrative around numerous eyewitness accounts, despite the implication of the subtitle. He covers events from the rival armies’ preliminary jockeying for position to Lee’s retreat, the heroic efforts to care for the thousands of wounded soldiers left behind, as well as the establishment some months later of the cemetery that was the occasion for Lincoln’s Gettysburg Address. The battle itself, though, quickly becomes a dizzying tally of this regiment going here, that brigade charging there, the movements insufficiently supported by the small, hard-to-read battle maps. Overheated lines like “As the armies met in battle, the ground…soaked up the blood of Americans flowing into the soil” have a melodramatic effect. Moreover, as nearly everyone mentioned even once gets one or more period portraits, the illustrations become a tedious gallery of look-alike shots of scowling men with heavy facial hair. Still, the author does offer a cogent, carefully researched view of the battle and its significance in both the short and long terms.
Thorough to a fault, and for young readers at least, no replacement for Jim Murphy’s oldie but goodie The Long Road to Gettysburg (1992). (glossary, index, bibliography) (Nonfiction. 12-15)Pub Date: June 1, 2013
ISBN: 978-1-62087-532-2
Page Count: 208
Publisher: Sky Pony Press
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
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