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A Crowded Heart

A military tale explores the strengths and frailties of the human mind in the aftermath of war.

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A soldier struggles to come to terms with the psychological impact of war in this historical novel.

Willis Hancocks, a debonair Canadian soldier, fights on the western front of the European theater of World War II. He is first encountered recuperating in an Army hospital, where he delights in charming the nurses. Here he meets Sam, a cocky yet warmhearted soldier and fellow casualty. Sam’s presence buoys Willis, and he is disappointed when the young man returns to combat. Asking whether he will be sent home, Willis learns that he will be kept around “for the entertainment.” He is posted to the Netherlands, where he celebrates the liberation of Eindhoven. He encounters Sam, and falls for a beautiful waitress called Frieda, who fills his dreams long after he’s kissed her goodbye. After a period of fighting, Willis and Sam enjoy a short leave in London. Willis meets Ellie Birch, an art student, and in a whirlwind romance, he proposes to her before heading for combat. Following the fall of the Nazis, Willis returns to Ellie, yet he’s withdrawn, depressed, and sensitive to sudden, loud noises or commotion. Willis is sent away to convalesce, but the difficulties of settling back into everyday life only intensify when Ellie gives birth. Will Willis find the strength to fulfill his role as husband and father? Will the dream of Frieda ever leave him? This sensitive, vital novel examines the psychological toll of war on the soldier and those closest to him. The result is a deeply personal and affecting narrative, punctuated by touching letters and snippets of italicized inner monologues. In the midst of battle, Willis writes: “In this place, there are days I can’t see past the end of my nose, and other days all I can see is my whole life ahead of me.” Ellie responds by letter: “I wish for happiness this year: an end to this war and our own suffering. I wish for you to come home.” Raine (Outcast: A Short Story, 2015, etc.) generates a powerfully genuine sense of yearning, which becomes tragic when Willis is unable to reciprocate this emotion when returning home. The novel lacks vivid combat descriptions, which would have helped inform the physical cause of Willis’ “combat neurosis,” now known as post-traumatic stress disorder. Furthermore, Sam’s character appears rather underdeveloped in comparison to the multifaceted Willis. Nevertheless, this is a well-written, emotionally intelligent book.

A military tale explores the strengths and frailties of the human mind in the aftermath of war.  

Pub Date: Nov. 4, 2015

ISBN: 978-1-62901-313-8

Page Count: 174

Publisher: Inkwater Press

Review Posted Online: May 26, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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