An eminently child-friendly exploration of an ever-intriguing subject; pair it with David M. Schwartz and Steven Kellogg’s...
Jellybean-fueled sibling rivalry leads readers on a visual exploration of large numbers.
Emma's request for 10 is reasonable, as is Aiden’s for 20, but, auction-style, the numbers soon mount from 100 to 500, at which point Emma calls Aiden’s bluff. “That’s too many. You can’t eat five hundred jelly beans.” Well, he could eat 1,000 in a year, but that’s just two or three per day. How about 5,000 in a year? That would be a stack that’s as high as a 10-story building. As the two ponder this existential conundrum, the numbers keep going up, from 10,000 to 100,000 to 1,000,000. Labat’s black-and-white digital illustrations make the bright colors of the ever-increasing jellybeans stand out and pop off the pages. The speech bubbles, clean lines and efficiently drawn characters speak to his start in comics. The page depicting how Aiden would divvy 100,000 jellybeans among the different flavors works especially well, picturing single-color circles clearly labeled with the differing amounts (there's only one lemon jellybean). This helps readers learn to estimate, though Bruce Goldstone’s Great Estimations and Greater Estimations (2006, 2008) offer more specific examples.
An eminently child-friendly exploration of an ever-intriguing subject; pair it with David M. Schwartz and Steven Kellogg’s How Much Is a Million. (Math picture book. 4-8)Pub Date: May 1, 2012
ISBN: 978-1-4521-0206-1
Page Count: 28
Publisher: Chronicle Books
Review Posted Online: March 13, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
A charming exploration of children’s special relationship with nature.
The story of a young Black boy who “fell in love with a field.”
The book opens with a peaceful scene of Emile sitting in a field overrun with wildflowers of various colors. This is his favorite haunt, where he and his little black dog spend countless hours undisturbed, daydreaming and communing with blossoms and insects. Emile—who often whispers lovingly to the field and regards it as a sentient companion—reflects on all the things the field will never get to experience. Although the field knows the four seasons and “how many stars / there were / and just how far,” it will never get to see the sea and skyscrapers. When winter comes and snow covers the field, Emile worries, wondering where the field goes when it disappears. And when some noisy children invade the field to sled and build snowpals, Emile hates that he has to share his beloved sanctuary, until his dad teaches him that love is not about possession but appreciation. Although some readers may pause at the unconventional punctuation, Young’s gentle, sparely worded narrative endearingly captures the animistic, magical thinking of children and the joy of tranquil childhood hours spent in nature. The impressionistic, atmospheric artwork—rendered in watercolor and ink—underscores the dreamy, spontaneous nature of Emile’s outdoor adventures and features open compositions that create a sense of expansiveness. All characters present Black except one White background character.
A charming exploration of children’s special relationship with nature. (Picture book. 5-8)Pub Date: March 15, 2022
ISBN: 978-1-984850-42-3
Page Count: 32
Publisher: Make Me a World
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a...
Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).
Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-2345-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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