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MURDER AT KENSINGTON PALACE

Science and romance meet in a high-stakes cat-and-mouse game.

A Regency lady with a hidden past joins forces with an irritable aristocrat to solve a dastardly series of crimes.

That waspish illustrator using the name A.J. Quill is really Lady Charlotte Sloan, cast off by her family for marrying her drawing master. She’s worked on several cases with the Earl of Wrexford (Murder at Half Moon Gate, 2018, etc.), but none has tested her skills or her heart as much as the one involving her cousin Cedric, Lord Chittenden, and his twin brother, Nicholas. The twins were Charlotte’s dearest childhood companions, and she’s devastated when Cedric is brutally murdered and Nicholas is arrested. The cousins were interested in scientific research, so Charlotte searches for clues among their peers. Hawk and Raven, two street urchins she’s raising as gentlemen, help her in other ways. And Wrexford bribes his way into the prison housing Nicholas, who drops hints about the Eos Society and Cedric’s rivalries over lovely Lady Julianna Aldrich, whose wealthy guardian encourages her intellectual interests. Although the theory that electricity can be used to raise the dead has largely been disproven, Cedric has continued to experiment with the voltaic pile. A particularly promising clue is the sighting of a person with a distinctive hat and cloak at recent crime scenes. Realizing that the killer is most likely a member of the upper crust, Charlotte makes the difficult decision to reveal herself as Lady Charlotte in order to meet more of her cousin’s friends. Her burgeoning awareness of her love for Wrexford is just one of many unpredictable complications in the search for a clever and ruthless killer.

Science and romance meet in a high-stakes cat-and-mouse game.

Pub Date: Sept. 24, 2019

ISBN: 978-1-4967-2281-2

Page Count: 304

Publisher: Kensington

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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SEA GLASS ISLAND

Not Woods’ best, but a smoothly written, beach-themed story with a happy ending helps forgive the weaknesses.

When Samantha, an established-yet-struggling actress, comes home to act as maid-of-honor in her sister’s wedding, the family unabashedly tries to pair her with the best man, Ethan, her teenage crush and now a local war hero.

Samantha is the oldest Castle, and while her two sisters found true love in quick succession, she’s in New York with a struggling acting career and no Mr. Right on the horizon. Coming home to Sand Castle Bay, N.C., for youngest sister Emily’s wedding, Samantha is continually thrown in the path of Ethan Cole, local football champion–turned–war hero. Samantha had a huge high school crush on Ethan but is surprised to learn he lost a leg in Afghanistan, and his then-fiancee abandoned him soon after. Spending time with him now, Samantha realizes what a wonderful man he is, but the association is tainted by the humiliating lengths her family is going to in order to get them together. And while Ethan is a great and honorable man, his post-war romantic experience has left him gun-shy and determined to avoid relationships. At a crossroads in her own life, Samantha has to decide whether she’s going to stay in Sand Castle Bay or go back to her sputtering career in New York—and what her hopes are with Ethan. The two navigate insecurities and misunderstandings as they fall in love and fight for their happily-ever-after. Woods' latest is slightly off-key. Great writing and deft characterization can’t save a thin romantic conflict, and the more Ethan clings to his “I’ve given up on love” position, the less heroic he becomes. Some secondary storylines offer similarly shrill undertones that denote a disturbing lack of communication, unrealistic expectations and waffling with annoying justification. Still, in the end, love conquers all in satisfying ways for everyone concerned, and this ties up a few loose ends for the trilogy.

Not Woods’ best, but a smoothly written, beach-themed story with a happy ending helps forgive the weaknesses.

Pub Date: May 28, 2013

ISBN: 978-0-7783-1446-2

Page Count: 400

Publisher: Harlequin MIRA

Review Posted Online: April 28, 2013

Kirkus Reviews Issue: May 15, 2013

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SEEING RED

As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.

Brown (Mean Streak, 2014, etc.) ticks off the boxes that elevate her books to the bestseller lists in this sexy romantic thriller set in Texas.

Rock-jawed hero with a dark past: check. Strong-willed, beautiful woman who resists his charms: check. A Whitman’s Sampler of bad guys: check. And finally, a convoluted and not always plausible plot: check. In this latest outing, readers meet TV journalist Kerra Bailey, whose family was torn apart years ago by a hotel bombing that killed 197 people in Dallas. Just in time for the 25th anniversary, Kerra scores an interview with the notoriously private Maj. Trapper, who saved her life, among others, when he emerged from the blast to lead the survivors out of danger. There's an iconic, prizewinning photo of the major carrying a little girl from the wreckage, but the child has never been identified—until now, when Kerra goes public with the information that it was her. Just after they finish filming the interview in his home, the major is shot, and an injured Kerra escapes in the confusion. The major’s son, disgraced Bureau of Alcohol, Tobacco, Firearms and Explosives agent John Trapper—a name M*A*S*H fans will appreciate—steps in, igniting a chain of events that leads to murder, intrigue, betrayal, and a series of dark revelations. As with most of Brown’s heroes and heroines, there’s palpable sexual tension between Trapper, whose taut rear occupies ample literary real estate, and Kerra, who when dealing with Trapper feels “like he’d lightly scratched her just below her bellybutton” when he’s not making her “pleasure points throb.” The complex plot plays out in a round of reveals that don’t always make a lot of sense, but that’s not why Brown’s fans read her books. They check in for the witty, pitch-perfect dialogue and fluid writing. A master of her genre, Brown knows how to please her most ardent readers but relies too often on the same basic formula from novel to novel.

As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.

Pub Date: Aug. 15, 2017

ISBN: 978-1-4555-7210-6

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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