by Andrea Tone ‧ RELEASE DATE: Jan. 1, 2009
Untangles the variety of complex factors that have shaped Americans’ increasing use of tranquilizers amid conflicting...
Readable, informative account of how cultural, economic and political forces have shaped the way Americans address anxiety.
Tone (Social History of Medicine/McGill Univ.; Devices and Desires: A History of Contraceptives in America, 2001, etc.) draws on FDA reports, congressional investigations, court cases, popular media, interviews and letters to uncover the history of American’s love-hate relationship with tranquilizers. While Miltown, the first of the “minor tranquilizers” (as distinguished from antipsychotics and neuroleptics), did not appear on the market until 1955, the author sets the stage with a brief history of barbiturate use and the place of Freudian talk therapy in popular thinking earlier in the century. The entertainment world’s fascination with the new pill—Milton Berle started calling himself “Uncle Miltown”—and glowing coverage in the media led to middle-class acceptance of and demand for it. Pharmaceutical marketing built a base among prescribing physicians and sales boomed. Miltown seemed the chic answer to the anxieties of an edgy, duck-and-cover society attracted to quick-fix remedies. Pharmaceutical companies rushed to develop rival pills; Librium and Valium appeared in 1960 and 1963. By the ’70s, as Tone documents, concerns about dependence and side effects were growing, enthusiasm and candor about tranquilizer use were replaced by skepticism and secrecy and government concern took the form of hearings and labeling requirements. Sales declined with the rise of the consumer-health movement and concerns about the counterculture’s use of recreational drugs, but then came a new class of anti-depression drugs, selective serotonin reuptake inhibitors (SSRIs): Prozac in 1987, followed by Paxil, Zoloft and others. As the mass marketing of pharmaceutical panaceas publicized anxiety disorders, critics claimed that ordinary social problems were being medicalized, citing as evidence the retooling of the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders. Anxiety disorders are now a growth industry, the author notes, and the tensions of modern American life suggest that tranquilizers will continue to have loyal legions.
Untangles the variety of complex factors that have shaped Americans’ increasing use of tranquilizers amid conflicting attitudes toward them.Pub Date: Jan. 1, 2009
ISBN: 978-0-465-08658-0
Page Count: 320
Publisher: Basic Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2009
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by Andrea Tone
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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