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SURVIVING ANTARCTICA

REALITY TV 2083

This tale of five 14-year-olds in a life-endangering reality show sustains tension through the middle, but ends weakly. In a grim American future—a dystopia without complexity—television reigns supreme. Reality programming teases contestants with money for education beyond eighth grade while providing viewers a distraction from poverty and hopelessness. Its new gimmick is children: The DOE (Department of Entertainment, responsible for all television and schooling) sends five kids to Antarctica to simulate the historical 1911 Scott expedition to the South Pole. As with previous Historical Survivor series, injuries and deaths are welcomed for their high ratings. Nauseated by the spectacle, a sad DOE employee secretly helps the kids, but frigid polar conditions and DOE sabotage may triumph anyway. Quotations from Scott’s real diary flavor the adventure, but White’s ending lacks substance: the trip is aborted and the future (for characters and society) lies stagnantly between hope and despair. Some nice characterization and connection with historical explorers, but closes with an emptiness reminiscent of reality TV itself. (end note, bibliography) (Science fiction. 10-14)

Pub Date: April 1, 2005

ISBN: 0-06-055454-1

Page Count: 336

Publisher: Eos/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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STEELHEART

From the Steelheart series , Vol. 1

There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s...

A straight-up Marvel Comics–style action drama featuring a small band of human assassins taking on costumed, superpowered supervillains with melodramatic monikers.

It’s certainly a tried-and-true formula. Twelve years ago, a mysterious Calamity began turning random ordinary humans into evil Epics gifted with various combinations of superpowers (and also, always, some Achilles heel). Now, 18-year-old David Charleston manages at last to make contact with a cell of Epic-killing Reckoners led by legendary mastermind Jon Phaedrus. Then it’s on to a nonstop thrill ride that begins with the killing of David’s father 10 years before and roars through car and motorcycle chases, secret missions, huge explosions and hails of gunfire with high-tech weaponry to a climactic battle with Epic Steelheart. He’s bulletproof, shoots energy balls, has transformed the entire Chicago area into solid steel with a wave of his hand and wears a stylish silver cape. Shockingly, the book closes with the stunning revelation than not all Epics are evil through and through. As further sign that Sanderson (Rithmatist, 2013, etc.) isn’t taking any of this too seriously, the cast of Epics includes not only the likes of Steelheart, Faultline and Deathpoint, but Pink Pinkness and El Brass Bullish Dude, and some of their powers are equally silly. Stay tuned for sequels.

There’s violence and gore in profusion, cool gear, hot wheels, awesome feats, inner conflicts on both sides—all that’s missing are the pictures. (Fantasy. 11-14)

Pub Date: Sept. 24, 2013

ISBN: 978-0-385-74356-3

Page Count: 400

Publisher: Delacorte

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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THE WATSONS GO TO BIRMINGHAM--1963

Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look—he has a lazy eye—and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear—as do many first novelists—but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)

Pub Date: Oct. 1, 1995

ISBN: 0-385-32175-9

Page Count: 210

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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