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MY DOG TOBY

Meet Toby, an adorable beagle who constantly endears himself to his owner despite the fact that Toby won’t cooperate with her plans to teach him a trick . . . any trick. Toby is great at normal dog things—he eats messily, knocks things over, and scratches with the best of them, but ask him to fetch, roll over, or beg, and he’ll look at his owner with a befuddled and perplexed expression. The narrator bemoans the fact that her friends’ dogs shake hands, bring in the newspaper, and dance—Michael’s French poodle even plays soccer. But Toby’s owner never gives up. She tries talking to Toby in several foreign languages (in case a language barrier has been the problem all along) and even talks to him in dog: “woof awooooo ark ark grrff ruff!” Nothing works though, so she just goes back to saying “sit” several times a day. Finally, one day, Toby comes through and . . . yes . . . sits! In a funny double-page spread in which Toby takes up most of the two pages, the text reads simply “Toby sat!” Toby’s owner is happy, but keeps things in perspective—she’ll always love Toby even if he never learns another trick. Toby is a lovable and goofy dog in the tradition of Martha in Martha Speaks by Susan Meddaugh or Boodil My Dog by Pija Lindenbaum. The illustrations are charmingly and humorously done in watercolors, acrylics, and pen and ink. A thoroughly delightful story by the authors of the also delightful Trashy Town (1999). (Picture book. 3-7)

Pub Date: May 1, 2000

ISBN: 0-15-202014-4

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2000

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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