Romanian-born poet, professor (English/LSU), and NPR commentator Codrescu (The Hole in the Flag, 1991, etc.) drives from East Coast to West, nosing into the sort of lovably wacky Americana that's made the comparable dispatches of fellow wheelman/writer Charles Kuralt so popular. One big difference between Codrescu and Kuralt, though, is that Kuralt responds to American eccentricity with levelheaded wisdom and humor, while Codrescu appears every bit as odd as his subjects. The first step in his odyssey, for instance, is learning how to drive: The 40-ish author never has mastered the skill—and not for want of trying: ``I tried to learn...The third time...I drove right into [a] stream. I had gotten so confident I forgot to steer.'' Nevertheless, Codrescu tries again, taking driver's ed in his adopted hometown of New Orleans—and this time he succeeds, and decides to buy a Cadillac. But the new models look like ``cold mashed potatoes,'' so he purchases a 1968 red Caddie convertible. With camera crew in tow (his trip is to be filmed for theatrical release), he heads to N.Y.C., where he receives Allen Ginsberg's ``blessing'' and begins his journey west. Along his erratic way, he pays homage at Walt Whitman's grave; explores a crime-ravaged Detroit and a still-vital Chicago, where he visits a pig- slaughterhouse; races down to Arizona and up to Las Vegas (``the Kingdom of If''); and winds up in San Francisco. Throughout, he takes special interest in sociospiritual phenomena (religious communes; a Sikh village in New Mexico; rebirthing and past-life regression, both of which he undertakes with zest, etc.), emphasizing that ``paradoxically, the most materialistic country in the world is also the most spiritual.'' Witty, smart, and unpredictable. But America is more than its fringe, and Codrescu, with his yen for the bohemian and the bizarre, never quite uncovers the land's expansive, mainstream heart. (Seventy-four b&w photographs—some seen)
Pub Date: April 16, 1993
ISBN: 1-56282-878-9
Page Count: 224
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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