High-flying but somehow unpretentious prose, intellectual fireworks, and more steamy couplings than a shelf’s worth of...

CASANOVA IN BOHEMIA

Essayist, deadpan NPR racounteur, and too-infrequent novelist Codrescu (The Blood Countess, 1995, etc.) offers a comedic take on the life of Casanova.

It’s all very well being a legendary ladies’ man, heralded all across Europe and doubtless on other continents as well for acts of shocking bravery in the pursuit of sexual conquests, but what happens when one such as Casanova grows old? Here we find the Chevalier de Seingalt ensconced in a remote Bohemian castle by the grace of his sponsor, Count Waldstein, who has retained Casanova to catalogue his immense library. Giving a mere fraction of his time to the Count’s task, our hero is much more interested in getting on with his own writing and in telling stories. Fortunately for him, serving girl Laura Brock is fascinated by his tales and soon willing to take part in sexual escapades with other servant girls for his observation and enjoyment. As fully packed as the story is with tales of Casanova’s historic trysts—including rendezvous with Venetian convent girls and the seduction of a 300-woman harem—it makes a point of illustrating just how exaggerated the Chevalier’s already-impressive exploits had become even in his own lifetime. The plot is not much more than a thin rigging upon which Codrescu can hoist a multitude of erotic flashbacks, stories-within-stories, and commentaries on religion, philosophy, sex, and the changing tides of history in 18th-century Europe. While the author is obviously enamored of his subject, Codrescu never tries to make Casanova out to be more than he is (unlike, for example, Doug Wright’s worshipful treatment of the Marquis de Sade in the play Quills). Though the narrative never turns a blind eye to the casual violence of its day, this is ultimately a fun and sexy romp through a libertine’s freely fictionalized life. Consider it the bastard child of Anne Rice’s erotica and Umberto Eco’s philosophical meta-fiction.

High-flying but somehow unpretentious prose, intellectual fireworks, and more steamy couplings than a shelf’s worth of romance novels: altogether, a potent dose of high-literary eroticism.

Pub Date: March 1, 2001

ISBN: 0-684-86800-8

Page Count: 336

Publisher: Free Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 2002

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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