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24/7

LIVING IT UP AND DOUBLING DOWN IN THE NEW LAS VEGAS

Las Vegas, the fastest-growing city in the US, as seen by a skeptical—and often funny—journalist. Martinez, a native of Mexico who has worked as a lawyer and Wall Street Journal reporter, operates from a goofy plot angle that would chill most freelance writers: He committed the whole of his $50,000 advance for this book to research—that is, to gambling. His sensible wife protests at the outset, “Why don—t you just write your book about Vegas, but keep the advance?” However, Martinez, evidently working from the George Plimpton journalist-as-participant school, presses on, and each chapter closes with a tally of his occasional wins yet usual losses until, four weeks later, his advance has been whittled down to $5,120. Martinez, obviously, could have kept the money and written a whiz-bang book; he’s a sharp and witty observer of the passing scene, he has done his homework, and he has a delicious sense of irony, all of which serve his narrative well. Still, the hundreds of hours he logged before the green felt of the gambling tables give him an unusual peg on which to hang his story, which is one of dislocation and weirdness, populated by losers, con artists, and, even more, ordinary folks just looking to get a break. Although they never do, of course, they keep trying in the face of staggering odds. So does Martinez, who finally closes with an admission of defeat after having entertained the delusion he might just make it out with his grubstake intact: “The war was over. Any chance of amassing unspeakable riches off this clever boondoggle was now foreclosed, and the finality of that realization was overwhelming.” Call it pop sociology, gonzo journalism, or social criticism: It’s all good fun.

Pub Date: Nov. 1, 1999

ISBN: 0-375-50181-9

Page Count: 352

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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