by Andrew Britton ‧ RELEASE DATE: March 7, 2006
Plot and cast have that derivative feel, and while the 24-year-old debut novelist can serve up an arresting action scene,...
A debut thriller about a vengeful terrorist who proposes to destroy the United States.
He begins by assassinating a U.S. senator. Next, he proposes to take out the president, plus whatever dignitaries happen to be in the vicinity when his bomb explodes, and go on from there, murdering en masse. He is—it need hardly be said—your basic archfiend, brilliant, remorseless, the kind the genre battens on (see The Day of the Jackal, etc.). Which is to say he's amoral as a lab rat, a genius at explosives, a wiz of a sniper and a tactician who might have impressed even Clausewitz. Nor will it come as a surprise that he has ties to al-Qaeda. He blames the U.S. for betrayals that led to the ignominious collapse of his family fortunes and has the long, implacable memory that defines a world-class grudge-holder. “Jason March is one of the most dangerous men the U.S. military has ever produced,” says CIA stud Ryan Kealey, and he ought to know, having trained him. Matched against supervillain March, then, is superhero Kealey, the protagonist of Britton's planned trilogy. He has the “penetrating gray eyes,” the rugged good looks and the maverick mindset that allows him to take the law into his own hands whenever it seems to him that the fate of the nation rests there as well. Kealey also has the requisite female sidekick (brainy, leggy), useful for titillation between bouts of bloodletting. So the game's afoot, predator vs. prey, though it's not always easy to tell them apart, or even which stone-cold killer to root for.
Plot and cast have that derivative feel, and while the 24-year-old debut novelist can serve up an arresting action scene, that isn't enough to counter the pervasive pall of déjà vu.Pub Date: March 7, 2006
ISBN: 0-7582-1333-6
Page Count: 384
Publisher: Kensington
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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