by Andrew C. Isenberg ‧ RELEASE DATE: July 9, 2013
Thorough research enriches the paint in this convincing and often unflattering portrait.
Isenberg (History/Temple Univ.; Mining California: An Ecological History, 2005, etc.) examines the life and legend of the famous lawman/liar/faro dealer/boxing referee/advisor on Western movies.
This is likely the only biography of Wyatt Earp (1848–1929) that compares him with Henry, not Jesse, James. Although he focuses on Earp’s biography—with both actual and Earp-concocted facts—the author pauses periodically to provide historical context and offer literary and other analogies. Melville has a cameo, as do Damon and Pythias and Prince Hal. Even Freud (unnamed) appears in an allusion to the Colt Buntline Special as phallic symbol. Isenberg also alludes continually to Wyatt Earp: Frontier Marshal, Stuart Lake’s 1931 biography that told Earp’s story mostly the way he’d wanted it told—i.e., falsely. Isenberg carefully separates the historic from the hysterical, examines documents, evaluates sources critically and eventually scrapes away from Earp’s image the gilding that cultural history has applied. Earp was only marginally different from the men he—in company with a couple of his brothers and tubercular Doc Holliday—helped shoot near (not in, the author assures us) the O.K. Corral. (Isenberg’s account of the 30-second battle consumes only a couple of pages.) The author notes that, later, Earp had been evanescing, but in 1896 he emerged to referee—in clearly corrupt fashion—a big boxing match. This brought his name back, and in the emerging era of mass media, Earp found he could not flee his notoriety. So he decided to cash in on it. After his death, the flood of films and books and TV shows has never really subsided. Isenberg shows us Earp as an early Jay Gatsby, reinventing himself continually.
Thorough research enriches the paint in this convincing and often unflattering portrait.Pub Date: July 9, 2013
ISBN: 978-0-8090-9500-1
Page Count: 320
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: April 16, 2013
Kirkus Reviews Issue: May 15, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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