A consummate thriller with some of the best characterization you’ll see all year.
In his engrossing thriller, Diamond (Impala, 2016, etc.) reminds readers that something as simple as a wrong turn can be the difference between life and death.
Whether in his first career as a boxer or his current one as a private investigator, Freddy Ferguson has always known to trust his instincts, the flares of warning that let him know something is very wrong. So when he’s flying home from San Francisco to D.C. and finds a woman in the security line piquing his interest, he’s sure she’s trouble, but he can’t help looking anyway. She appears to be unduly encouraged by two men to board a flight to Honolulu, but she deplanes at the last second, disguises herself, and hops a flight to Chicago. That, the bruises on her wrists, and the two men who made sure she got on the Honolulu flight would be enough to cause alarm. But when Freddy gets back to D.C. and learns that the Honolulu plane exploded over Santa Cruz, it’s clear why his instincts were triggered. When Freddy’s partner, Ed Hartwell, pulls him into the investigation, it doesn’t take the PI long to find out the woman’s name is Anna Brook and that she’s well-hidden. Just how deep the rabbit hole goes, Freddy can’t say. But he’s sure going to find out. The prose here is strong and solid, giving the reader an immediate sense of place and voice through Freddy’s first-person narration. Plus, it’s rare to see writing that so effectively blends action with characterization. Not only do readers have a crystal-clear vision of Anna right from the start, they’re also provided insight into Freddy’s dog-with-a-bone personality and sense of curiosity. That should be enough to hook most readers, but there are also breakneck twists and turns along with lots of backstory, particularly through flashbacks to Freddy’s past and his regrets.
A consummate thriller with some of the best characterization you’ll see all year.Pub Date: June 1, 2018
ISBN: 978-0-9963507-6-1
Page Count: 320
Publisher: Stolen Time Press
Review Posted Online: May 18, 2018
Kirkus Reviews Issue: July 1, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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