A consummate thriller with some of the best characterization you’ll see all year.
In his engrossing thriller, Diamond (Impala, 2016, etc.) reminds readers that something as simple as a wrong turn can be the difference between life and death.
Whether in his first career as a boxer or his current one as a private investigator, Freddy Ferguson has always known to trust his instincts, the flares of warning that let him know something is very wrong. So when he’s flying home from San Francisco to D.C. and finds a woman in the security line piquing his interest, he’s sure she’s trouble, but he can’t help looking anyway. She appears to be unduly encouraged by two men to board a flight to Honolulu, but she deplanes at the last second, disguises herself, and hops a flight to Chicago. That, the bruises on her wrists, and the two men who made sure she got on the Honolulu flight would be enough to cause alarm. But when Freddy gets back to D.C. and learns that the Honolulu plane exploded over Santa Cruz, it’s clear why his instincts were triggered. When Freddy’s partner, Ed Hartwell, pulls him into the investigation, it doesn’t take the PI long to find out the woman’s name is Anna Brook and that she’s well-hidden. Just how deep the rabbit hole goes, Freddy can’t say. But he’s sure going to find out. The prose here is strong and solid, giving the reader an immediate sense of place and voice through Freddy’s first-person narration. Plus, it’s rare to see writing that so effectively blends action with characterization. Not only do readers have a crystal-clear vision of Anna right from the start, they’re also provided insight into Freddy’s dog-with-a-bone personality and sense of curiosity. That should be enough to hook most readers, but there are also breakneck twists and turns along with lots of backstory, particularly through flashbacks to Freddy’s past and his regrets.
A consummate thriller with some of the best characterization you’ll see all year.Pub Date: June 1, 2018
ISBN: 978-0-9963507-6-1
Page Count: 320
Publisher: Stolen Time Press
Review Posted Online: May 18, 2018
Kirkus Reviews Issue: July 1, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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