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WALKING TO LISTEN

4,000 MILES ACROSS AMERICA, ONE STORY AT A TIME

Millennial ennui turns into a search for meaning in an intriguing portrait of America.

A college graduate’s 11-month walking tour of America.

Following graduation from Middlebury College, 23-year-old Forsthoefel hatched a plan to leave his mother’s home in suburban Philadelphia and walk until he spent all his money or hit the Pacific Ocean, whichever came first. Guided by his literary heroes Rainer Maria Rilke, Khalil Gibran, and Walt Whitman (whose democratic spirit is a major influence here), Forsthoefel began traveling west with the bare minimum for shelter, a sign reading “Walking to Listen,” and the vague idea that his trip would be “like a graduate program in the human experience.” For the author, the impetus to walk was indefinable but urgent: “I woke up the next morning anxious to get walking again, toward what, I didn’t quite know.” Along the way, Forsthoefel confronted the “others” of society, and he remarks on race, class, and privilege. He also explains that while a student at Middlebury, he researched the concept of “coming of age” and how other cultures prepare their young to become adults. It’s not hard to see how this concept informs Forsthoefel’s trek, which was his own attempt to define his adulthood in the post-collegiate existentialist void experienced by so many millennials. However, the author’s sincerity and earnestness are tempered by his urge to “learn something” from his encounters. He refers to the people he met as his “teachers,” and he was consciously aware of his use of their experiences for his gain. (This also cost Forsthoefel his job on a fishing boat prior to his cross-country journey, when he revealed to the captain that he’d begun a blog about the experience.) The author recorded his conversations for future logging and transcribing, all a sign of his intention to use his trip for some other end, not merely the empathic experience of meeting citizens. However, Forsthoefel offers moments of genuine kinship and transcendence that buoy the narrative and make the adventure an uplifting, somewhat labored exercise in outreach.

Millennial ennui turns into a search for meaning in an intriguing portrait of America.

Pub Date: March 7, 2017

ISBN: 978-1-63286-700-1

Page Count: 400

Publisher: Bloomsbury

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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