An intriguing premise and fascinating tale.
Friends separated by an ocean experience the traumas of World War II.
For Japanese American Alex Maki, the world in 1935 mostly consists of reading and drawing comics. By mistake he is assigned to be the pen pal of Charlie Lévy, a Jewish girl living in Paris whom his teacher believes to be a boy. The two become devoted friends, and their correspondence proves comforting when World War II brings anti-Japanese sentiment to Alex’s home of Bainbridge Island, Washington, and Charlie’s parents argue over whether to leave Paris following the Nazi occupation. After Alex’s father is taken by the FBI, under suspicion of being a spy, the rest of the family is sent to the Manzanar internment camp. The story, punctuated by Alex’s and Charlie’s letters, overall belongs to Alex. As the war in Europe interferes with mail delivery to and from France, Alex decides to enlist in exchange for his father’s release and, secretly, in hopes of finding Charlie. Assigned to the legendary all-Japanese American 442nd regiment, Alex confronts the ravages of war, haunted by his fears for Charlie’s safety. Fukuda (The Trap, 2013, etc.) artfully conveys Alex’s inner turmoil and paints visceral combat scenes. Alex grows over time, battling internalized racism, which is partially expressed in his negative reaction to the recruits from Hawaii whose portrayal could have been developed with more nuance and context.
An intriguing premise and fascinating tale. (author’s note, bibliography) (Historical fiction. 13-18)Pub Date: Jan. 7, 2020
ISBN: 978-1-250-19238-7
Page Count: 384
Publisher: Tor Teen
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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