Beautiful and devastating.
This prequel to We Were Liars (2014) takes place in 1987 as 17-year-old Carrie Sinclair faces her first summer at the family’s Massachusetts vacation property without her youngest sister, Rosemary.
Ten-year-old Rosemary drowned the previous summer while swimming alone. Carrie’s parents and remaining sisters, 16-year-old Penny and 14-year-old Bess, endure the loss with characteristic Sinclair stoicism, but Carrie finds it difficult to repress her sorrow, even with the aid of codeine pills to numb her pain. When Rosemary’s ghost appears to her, she is bewildered by the specter but accepts her intermittent appearances and comfortably mundane requests. Even more unexpected are the arrivals on Beechwood Island of George, Major, and Pfeff, friends of Carrie’s cousin Yardley. The boys’ presence, a deviation from the Sinclair family’s usual routine, sets into motion an unforeseen chain of events that ultimately entangles the three oldest Sinclair sisters. Lockhart’s stark, evocative prose captures the emotions of a grieving teenage girl paralyzed by the weight of her parents’ expectations and plagued by a perpetual sense of inadequacy. The novel is framed as a story that present-day Carrie tells the ghost of her deceased son, Johnny, who asks Carrie to reveal “the absolute worst thing you ever did, back then.” Her response is a haunting confession about family allegiances; the arbitrary rules of powerful, moneyed White families; and the strength required to bear witness to terrible truths.
Beautiful and devastating. (family tree, map, author’s note) (Fiction. 13-18)Pub Date: May 3, 2022
ISBN: 978-0-593-48585-9
Page Count: 320
Publisher: Delacorte
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK TO SCREEN
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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