by Andrew Grant ‧ RELEASE DATE: Jan. 2, 2018
Overall, a good story with a multilayered hero. The author’s fans won’t be disappointed.
The flawed homicide detective Cooper Devereaux returns for a second outing (False Friend, 2017), this time chasing down a quirky killer in Birmingham, Alabama.
Although Lucas Paltrow, a “mysterious mechanic Good Samaritan,” saves the pregnant Deborah Holt’s life by fixing her car, a year later she’s found dead on her 21st birthday, wrapped up like a present. Devereaux and his longtime partner, Tommy Garretty, are assigned to investigate. Soon Siobhan O’Keefe turns up, killed and wrapped in the same way on her 21st birthday. Later there’s a third victim, and the unknown assailant is dubbed the Birthday Killer. It’s a curious plot that gives the impression the author is straining for something new. One suspect is Deborah's boyfriend, the sarcastically described “guitar legend Thor,” aka Oliver Casey, a “twenty-four carat scumbag.” Others include Paltrow and his co-worker Billy Flynn, who has a sealed juvie record. When Flynn’s house explodes and Devereaux wants to save him, Garretty helpfully advises, “Screw Flynn. The odds are he’s a murdering asshole.” The blistering scene that follows is well-done, as are Devereaux and Flynn by the end of it. A couple of subplots help tie the series together. The dying Chris Lambert, a former Police Academy instructor, plots to blackmail Devereaux, who had a checkered childhood and may be “the spawn of a mass murderer.” Or not. And Devereaux's former girlfriend Alexandra is conflicted about getting back together with him, because “she simply wasn’t comfortable in a relationship with the son of a mass murderer.” Meanwhile, whatever might be revealed about his troubled past, Devereaux has become a good adult. It’s hard to see how the author continues with these subplots—Just how bad was Dad? Will Alexandra ever make up her mind?—without letting them get stale.
Overall, a good story with a multilayered hero. The author’s fans won’t be disappointed.Pub Date: Jan. 2, 2018
ISBN: 978-0-399-59433-5
Page Count: 320
Publisher: Ballantine
Review Posted Online: Oct. 16, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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379
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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67
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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