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WE PIERCE

A well-written, surprisingly straightforward account of a not-so-straightforward war.

Second outing from Huebner (American by Blood, 2000) is pitched as a fictionalized version of the author’s relationship with his Gulf War veteran brother.

Sergeant E-5 Smith Huebner is trained to shoot the big gun in an M-1 A-1 Heavy Armor tank. He can kill with his hands or his weapon, and he knows that “the same firepower that guarded his life could kill him in an instant.” When he arrives with his group in Kuwait, tensions rise in an encounter with some Bedouins, but it will be a while before the war begins—and at least a month before anyone gets used to the heat. Back in the States, meanwhile, younger brother Sam, whom Smith had taught to smoke pot and who’s moved to New York to struggle as a writer, begins protesting the war and cultivating a drug habit. And Smith’s wife turns up pregnant. Smith is thrilled, but all he can do is document the army equipment and stare out into the desert. When the war finally begins, there’s no small amount of patriotic fanfare as a CO walks past the troops to ask what they’re fighting for and “the names, places and pledges filled the air.” Good thing, too, for it’s not long before Smith is putting tank shells through the chests of Iraqi officers. His crew feels bad about this, sure, but they’ll be fine, the reasoning goes, as long as they imagine themselves as the De Niro character in The Deer Hunter. Huebner (the author) has the banter of tank battles down and doesn’t approach war entirely without irony, but the very excitement of some sequences here feels celebratory. At end, Johnny comes marching home, and if there’s tension between the soldier and his peacenik brother it soon evaporates, and peace settles softly over the republic.

A well-written, surprisingly straightforward account of a not-so-straightforward war.

Pub Date: May 1, 2003

ISBN: 0-7432-1277-0

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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