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My God is Better Than Your god

BATTLE CRY OF ARMAGEDDON

A call for Protestant Reformation–style spiritual renewal marred by ungainly hatemongering.

A Scripture-quoting jeremiad on the evils of organized religion.

Foster’s (A Land Called Pangaea, 2014) latest book has as its central premise the difference between faith (a personal interaction with the Christian God) and religion (which has “nothing to do with the Word of God and everything to do with the lies of Satan through men of theology”). In this “no holds barred search for the truth in God’s Word,” Foster specifically refers to a sequence of “Blood Religions” that exalt ancestor worship over faith in God (Judaism), worship a false god (Catholicism), or praise a false prophet (Islam). Liberally seeded with biblical quotations, his text contends that by following the state-sanctioned, power-enabling Blood Religions, humanity has been led astray, a process that has been hastened by scholars “who intellectualize religion through education.” Foster tells readers that God prepared the world to receive his son, Jesus Christ, and this reception can only be accomplished by studying the King James Bible (which, curiously, is itself a translation from Hebrew and Aramaic made by highly intellectual scholars). Unfortunately, this type of standard American revivalist rhetoric is accompanied by hatred and bigotry. Jews—often referred to as “the Jew”—are collectively blamed for the death of Jesus; California’s droughts are God’s punishment for the state’s liberalism; President Barack Obama is a Muslim; homosexual acts are sinful; etc. Even as he declares that Satan has conquered the world through the works of Jews, Catholics, and Muslims, Foster claims to mean no harm to anyone; it’s doubtful his Jewish, Muslim, Catholic, liberal, intellectual, gay, or secular humanist readers will agree.

A call for Protestant Reformation–style spiritual renewal marred by ungainly hatemongering.

Pub Date: Nov. 3, 2014

ISBN: 978-0-692-32640-4

Page Count: 258

Publisher: The Emerald Rainbow

Review Posted Online: Aug. 16, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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