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My God is Better Than Your god

BATTLE CRY OF ARMAGEDDON

A call for Protestant Reformation–style spiritual renewal marred by ungainly hatemongering.

A Scripture-quoting jeremiad on the evils of organized religion.

Foster’s (A Land Called Pangaea, 2014) latest book has as its central premise the difference between faith (a personal interaction with the Christian God) and religion (which has “nothing to do with the Word of God and everything to do with the lies of Satan through men of theology”). In this “no holds barred search for the truth in God’s Word,” Foster specifically refers to a sequence of “Blood Religions” that exalt ancestor worship over faith in God (Judaism), worship a false god (Catholicism), or praise a false prophet (Islam). Liberally seeded with biblical quotations, his text contends that by following the state-sanctioned, power-enabling Blood Religions, humanity has been led astray, a process that has been hastened by scholars “who intellectualize religion through education.” Foster tells readers that God prepared the world to receive his son, Jesus Christ, and this reception can only be accomplished by studying the King James Bible (which, curiously, is itself a translation from Hebrew and Aramaic made by highly intellectual scholars). Unfortunately, this type of standard American revivalist rhetoric is accompanied by hatred and bigotry. Jews—often referred to as “the Jew”—are collectively blamed for the death of Jesus; California’s droughts are God’s punishment for the state’s liberalism; President Barack Obama is a Muslim; homosexual acts are sinful; etc. Even as he declares that Satan has conquered the world through the works of Jews, Catholics, and Muslims, Foster claims to mean no harm to anyone; it’s doubtful his Jewish, Muslim, Catholic, liberal, intellectual, gay, or secular humanist readers will agree.

A call for Protestant Reformation–style spiritual renewal marred by ungainly hatemongering.

Pub Date: Nov. 3, 2014

ISBN: 978-0-692-32640-4

Page Count: 258

Publisher: The Emerald Rainbow

Review Posted Online: Aug. 16, 2015

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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