For anyone who can’t look away from a juicy literary scandal.
A young writer bases his novel on a friend’s life and must deal with the fallout.
Caleb Horowitz, a 27-year-old Brooklynite, works for a financial services startup, but he believes he’s on the verge of another life: that of a famous novelist. He’s just been offered representation by one of the biggest agents in New York, and he’s about to sell his book. His family and friends think it’s a novel he wrote during a sabbatical from the city in Gainesville, Florida, but Caleb knows the truth: He failed to write something “publishable” in Gainesville and instead took a chaotic cross-country trip searching for the next stage of his life. Crashing with a college friend named Avi, Caleb stumbled across that next stage by accident when Avi told him a wild story, a version of which he’d turned into a sketch of a story himself, and Caleb decided to appropriate it. Caleb rented a room, holed up, and feverishly finished a novel based on Avi’s narrative. Afterward, he returned to New York, took a job at the startup, and worked on finding an agent; what he doesn’t realize is that, in the intervening months, Avi also moved there and has started a new job himself…as an editorial assistant at a big New York publisher. When the manuscript comes across Avi’s desk, Caleb is forced to strike a deal that throws into sharp relief some thorny dilemmas about art, ethics, and what being a writer really means. Lipstein wittily captures all the savagery of the publishing industry, from Goodreads reviews to awkward author photos. But for all the metafictional layers here, at its heart this is a surprisingly traditional, almost Dickensian, story about the vagaries of fate.
For anyone who can’t look away from a juicy literary scandal.Pub Date: Jan. 18, 2022
ISBN: 978-0-3746-0270-3
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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