Scrupulously researched but overly detailed.
The British biographer of Ian Fleming and Rudyard Kipling memorializes the chaotic and abbreviated existence of the 20th century’s most Romantic poet.
Born in 1914, in Swansea, Wales, to a socially ambitious schoolmaster and a voluble former seamstress, the precocious Dylan Thomas began writing sophisticated English poetry at the age of 10 or 12. In his teens, on summer visits to his mother’s Welsh-speaking relatives at Fernhill, the family farm for which one of his best-loved poems was named, he discovered rural Welsh traditions and began to mix English forms with Welsh images and rhythms, for which he later became famous. He also began to drink, and the drinking never slackened. At 22, after publishing his first book (18 Poems), he wed Caitlin Macnamara, the beautiful, wild, hard-drinking young mistress of painter Augustus John; and so began one of the era’s stormiest, most violent literary marriages. For the rest of Thomas’s short life, until his death from alcohol poisoning in Greenwich Village in 1953, he and Caitlin traveled, drank, fought, cadged money, cheated on each other publicly and obsessively, and made increasingly squalid scenes on three continents. That Thomas also created a body of masterful, if sometimes opaque, lyrical poetry and performed it beautifully on stage and radio explains his extraordinary and lasting popular notoriety. His best-known work, Under Milk Wood, not quite complete when he died, extended his life’s drama for a little while, as friends, handlers, and Caitlin all stormed his New York hotel room, vying for possession of the poet’s last, great work.
Scrupulously researched but overly detailed.Pub Date: June 4, 2004
ISBN: 1-58567-541-5
Page Count: 434
Publisher: Overlook
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2004
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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