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THE SENATOR AND THE PRIEST

Slow and relentlessly cloying. The author (The Bishop in the Old Neighborhood, 2005, etc.) has done much better work.

Catholic priest Greeley tells a blarney-drenched tale of Cain and Abel on the Beltway.

The Moran brothers are Irish-Catholic to the core—but there the similarity ends. Father Tony is a priest for whom tolerance is an infallible sign of both weakness and error. Under his surplice beats a heart that’s hard not to think of as un-Christian. On the other hand, his sibling, Tom Cruise look-alike Tommy, a bestselling author and TV celebrity, is all warmth, gentle wit and endless compassion. Between the brothers, smoldering ill feelings flare up when the Illinois Democrats surprise Tommy by asking him to run for the US Senate. This enrages Father Tony: “You can’t be a good, practicing Catholic and be a Democratic senator,” he snarls, capping it with, “And besides you’re out of your depth.” Tommy bears up, reminding himself of a time when he adored his sibling, when they were kids, and husky, athletic Tony was his protection against large, predatory schoolmates. But Tommy’s wife, the brilliant, successful, high-profile and gorgeously red-haired lawyer Mary Margaret, will have none of that. “He has tried to throw a wet blanket on your life,” she informs her husband regularly. Against all political odds, Tommy beats the entrenched incumbent. In the Senate, he performs magnificently, wows all right-thinking observers. “My cute little Irish superhero,” gushes Mary Margaret. When he decides to run for reelection, the gobshites gang up on him. He’s a match for them all, including the ferocious Father Tony, who remains intractable until the end.

Slow and relentlessly cloying. The author (The Bishop in the Old Neighborhood, 2005, etc.) has done much better work.

Pub Date: Nov. 14, 2006

ISBN: 0-765-31591-2

Page Count: 336

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2006

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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