by Andrew Prahin ; illustrated by Andrew Prahin ‧ RELEASE DATE: March 5, 2019
Readers probably won’t be curious enough to revisit this story after the first time.
A mechanical bear’s curiosity doesn’t run like clockwork.
On a tower high above a town, Elbert is one of five bears that parade in and out of a clock on the stroke of every hour. His companions steadfastly carry out their marching duties; Elbert doesn’t, constantly distracted by myriad wonders. When his unquenchable curiosity disrupts routines badly, his fellows give him 24 hours to dispose of it or risk permanent banishment. On the ground, new experiences engender many new questions, but what to do with curiosity? Elbert tries various disappearing methods, but, frustratingly, nothing works…until, finally, something does—to his and the other bears’ benefit. This is an odd tale, with jarring elements. Curiosity isn’t portrayed altogether positively, and punitive aspects—threat of exile, Elbert’s self-reproach—may seem harsh or confusing. The story’s conclusion, however, reassures that curiosity is acceptable and rewarded with treats and a walkabout for all, suggesting Elbert’s clockwork partners will thereafter strut happily. The pencil and digitally colored illustrations serve the tale serviceably, with Elbert depicted as blue and inexpressive. (He is an automaton.) His smart, reflective questions appear in italics to differentiate them from the otherwise lackluster narrative. Frequent depictions of analog-clock faces throughout should pique the curiosity of readers/listeners who will ask what time the clocks show or proudly demonstrate their own prowess.
Readers probably won’t be curious enough to revisit this story after the first time. (Picture book. 4-7)Pub Date: March 5, 2019
ISBN: 978-0-525-51398-8
Page Count: 40
Publisher: Putnam
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Andrew Prahin ; illustrated by Andrew Prahin
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Summer Macon
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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