Readers probably won’t be curious enough to revisit this story after the first time.
A mechanical bear’s curiosity doesn’t run like clockwork.
On a tower high above a town, Elbert is one of five bears that parade in and out of a clock on the stroke of every hour. His companions steadfastly carry out their marching duties; Elbert doesn’t, constantly distracted by myriad wonders. When his unquenchable curiosity disrupts routines badly, his fellows give him 24 hours to dispose of it or risk permanent banishment. On the ground, new experiences engender many new questions, but what to do with curiosity? Elbert tries various disappearing methods, but, frustratingly, nothing works…until, finally, something does—to his and the other bears’ benefit. This is an odd tale, with jarring elements. Curiosity isn’t portrayed altogether positively, and punitive aspects—threat of exile, Elbert’s self-reproach—may seem harsh or confusing. The story’s conclusion, however, reassures that curiosity is acceptable and rewarded with treats and a walkabout for all, suggesting Elbert’s clockwork partners will thereafter strut happily. The pencil and digitally colored illustrations serve the tale serviceably, with Elbert depicted as blue and inexpressive. (He is an automaton.) His smart, reflective questions appear in italics to differentiate them from the otherwise lackluster narrative. Frequent depictions of analog-clock faces throughout should pique the curiosity of readers/listeners who will ask what time the clocks show or proudly demonstrate their own prowess.
Readers probably won’t be curious enough to revisit this story after the first time. (Picture book. 4-7)Pub Date: March 5, 2019
ISBN: 978-0-525-51398-8
Page Count: 40
Publisher: Putnam
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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