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TEN LIES SATAN LOVES TO TELL

An engaging and earnest, if not always convincing, study of the power of Satan’s lies.

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A Christian author blends self-help and biblical analysis in this religious reflection on Satan.

“Satan is real. Satan is dangerous,” declares Jones in the book’s opening lines as he reminds fellow Christians that “One of Satan’s primary tactics is deception.” Indeed, per the author’s analysis, these lies “are at the center of humanity’s fall into sin.” From the misleading manipulation by the serpent in the Book of Genesis (in which Satan tempted Adam and Eve into disobedience by twisting the words of God) to Satan’s failed attempts to tempt Jesus in the wilderness (as described in the Gospels of Matthew and Luke), lies are at the heart of the biblical character of Satan. Blending literary analysis of Christianity’s ancient scriptures with modern-day applications for fellow believers, Jones argues that the tactics deployed by Satan are the same today as they were at the beginning of creation. Devoting each chapter to an individual lie, Satan’s obfuscations as outlined in the book range from “You Cannot Trust God” and “Your Value is Based on Your Performance” to “You Are Alone” and “You Are Too Dirty/Broken/Flawed/Sinful to be Forgiven.” While there are a few references to Christian scholarship sprinkled throughout the book’s sparse footnotes, most of the author’s evidence comes directly from the Bible itself as Jones argues for the applicability of biblical stories to contemporary life.

Following his debut book, Ten Questions to Ask Every Time You Read the Bible (2022), the author here writes with a keen awareness of the ubiquitous temptations and difficulties encountered by Christians over the millennia. A California-based professor of preaching and a parish pastor, Jones blends a learned understanding of the Bible with an accessible writing style that emphasizes the relevancy of the topics to readers unfamiliar with the scholarly nuances of Christian theology. While leaning heavily on Lutheran catechisms and the written work of Martin Luther, the book is generally ecumenical in its approach, favoring a standard Protestant interpretation that relies heavily on the Bible itself as the source of religious guidance. Of particular note for a book centered around Christian notions of sin is the work’s refusal to engage with the “current American culture wars”; the author posits that too many Christians use hot-button political issues as a way to ignore their own personal sins as they have “abandoned basic decency to gain power.” Reflecting the book’s emphasis on applicability, each chapter concludes with questions for individual or small-group discussion, “Scripture for Meditation,” and topical prayers. Coming in right at 200 total pages, the text includes ample illustrations, textbox vignettes, charts, and other visual elements. While the book is well-written and geared toward a broad Christian audience, those who do not share the book’s literalist take that Satan is a real entity who roams the Earth may not be sold on Jones’ warnings. The work should nevertheless be applauded for its approach (one not “of shame but one of encouragement”), as it eschews judgment and name-calling in favor of providing Christian readers guidance to better live out the message of God’s love.

An engaging and earnest, if not always convincing, study of the power of Satan’s lies.

Pub Date: Jan. 14, 2025

ISBN: 9780758677280

Page Count: 208

Publisher: Concordia Publishing House

Review Posted Online: Feb. 20, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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