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TOO MUCH IS NOT ENOUGH

A MEMOIR OF FUMBLING TOWARD ADULTHOOD

An inspiring and consistently witty entertainment memoir.

A Grammy Award–winning actor and singer recalls his unique childhood and ascent to notoriety.

In a spirited debut saturated with personality and frank humor, Rannells tells the stories of his youth growing up as the fourth of five siblings in Omaha, Nebraska. The son of an advertising salesman and a former teen model, the author fostered his love of live theater by watching musicals from the 1940s and ’50s and by viewing the Tony Awards broadcast, which “was so much better than the movies; it was live!” Moving swiftly through the trajectory of his budding career, Rannells shares amusing anecdotes on his Midwestern upbringing, being taught “how to throw shade” by his grandma Josephine, becoming a busy “shameless entertainer” on the Omaha theater scene, and his timely decision to come out to his conservative parents mere days before moving to New York City in 1997 to study the arts. These chapters form a descriptive rainbow of personal mishaps as the author describes his sexual awakenings; having to endure priestly inappropriateness while he was a student at an all-boys Jesuit Catholic high school; meeting his best friend, Zuzanna, at an audition; nightclub adventures; and formative work at upstate New York summer stock. Despite a series of rude awakenings and rejections in the business—including an exhaustive tour with Pokemon Live!—Rannells, a model of persistence and dedication, ultimately found his footing and branched out toward a momentous Broadway debut in Hairspray in 2006. Later, he earned a Tony Award nomination for the originating role of Elder Price in The Book of Mormon. The author is a natural raconteur who engages readers with self-effacing honesty about his life’s great expectations and fumbles. His life story will be encouraging and inspirational particularly for theater buffs and readers pursuing a stage career, and musical fans will savor his enticingly told journey from awkward childhood to fame in the spotlight.

An inspiring and consistently witty entertainment memoir.

Pub Date: March 12, 2019

ISBN: 978-0-525-57485-9

Page Count: 272

Publisher: Crown Archetype

Review Posted Online: Feb. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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