by Andrew Roberts ‧ RELEASE DATE: Sept. 12, 2002
The shelves groan complainingly with studies of the Iron Duke and the Little Corporal. Room should be found for this one.
English historian Roberts (Eminent Churchillians, 1995, etc.) delivers a satisfying study of the opposing generals of yesteryear, whose lives intersected in all sorts of odd ways.
Napoleon Bonaparte and Arthur Wellesley, the Duke of Wellington, were alike in many respects: both were born in 1769, both lost their fathers early, both had four brothers and three sisters, both changed the spelling of their surnames in adulthood, and both were foreigners, which prompted George Bernard Shaw to quip, “An English army led by an Irish general; that might be a match for a French army led by an Italian general.” Moreover, both shared mistresses, grudging admiration and mutual contempt, and an “invincible self-assurance” that sometimes led them to commit grievous errors in the field. Yet their differences, as Roberts effectively demonstrates, were ultimately more important than their similarities: though Napoleon was a brave and resourceful commander, for example, he seems not to have taken into account the immense logistical problems attendant in trying to conquer most of Europe, with the result that he left his troops to maraud for food and drove his horses to death; whereas Wellington, more cautious, managed to bring fresher troops and mounts into the field, if not the legendary glories of his opponent. Roberts capably corrects a few myths as he follows the two generals to their ultimate contest at Waterloo, writing, for instance, that far from disdaining Wellington as an inferior, Napoleon “squeezed people for information about Wellington’s character and interests,” denigrating Wellington only after Waterloo in an effort to explain away his defeat; Wellington, for his part, returned the compliment by, in effect, saving Napoleon’s life at Waterloo—an incident that, as Roberts reports it, will be of considerable interest to students of the battle.
The shelves groan complainingly with studies of the Iron Duke and the Little Corporal. Room should be found for this one.Pub Date: Sept. 12, 2002
ISBN: 0-7432-2832-4
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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