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DEATH BY FAME

A LIFE OF ELISABETH, EMPRESS OF AUSTRIA

A biography of a royal beauty of the Victorian age who was married too young to Emperor Franz Josef and became empress of Austria-Hungary. Veteran biographer Sinclair (Corsair: The Life of J. Pierpont Morgan, 1981, etc.) profiles Elisabeth—of noble Bavarian blood and the bearer of four children (including the notorious Rudolf of Mayerling), despite a philandering husband, who, it was believed, infected her with a mysterious malady. As a young wife and mother, she had to contend with a domineering mother-in-law who took control of the royal children. Elisabeth, a fine horsewoman who loved the outdoors, strove for health and beauty. Bored with ceremonial court life and crowds, she broke away from Vienna and family, seeking solitude. Constantly wandering with a large contingent of servants, she lived in various palaces across Europe, where her glamorous style set fashion standards for 30 years. Her devotion to oppressed people like the Hungarians and the Irish, among whom she lived for long periods, added to her popularity—with everyone except their Austrian and British rulers. Franz Josef gave carte blanche to her expensive tastes and wanderlust; in return, she condoned his liaisons. Sinclair capably provides the historical background as time was beginning to run out for the inbred ruling dynasties of the Hohenzollerns, Hapsburgs, Romanovs, and others. Feared anarchists and socialist assassins stalked the nobility as the nationalist powers were about to destroy one another in WWI. Elisabeth was knifed to death by an assassin in 1898. A well-written, thoroughly researched story of a popular and beautiful empress, who, while self-indulgent, sought a life of privacy and peace, and showed sympathy and charity toward the poor. She died tragically, overwhelmed by publicity and away from royal life. Sinclair finds contemporary parallels in the life of Diana, Princess of Wales. (16 pages b&w photos, not seen)

Pub Date: April 1, 1999

ISBN: 0-312-19852-3

Page Count: 240

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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