A scattered sci-fi romp with occasional fun parts but a passable whole.
Two overly privileged teens unwittingly escape Earth’s last days on a luxury spacecraft.
Cager Messer’s father has made a fortune from the eponymous Rabbit & Robot, a television show devoured by the masses yet one Cager and his best friend, Billy (beautiful, bisexual, and equally wealthy), are forbidden to watch. The secondary Messer fortune was made from lunar cruise ships, one of which Billy, along with Cager’s caretaker, Rowan, hijacks to get Cager off drugs. Like all best-laid plans, everything goes awry: Two human girls stow away disguised as robots, a loss of gravity leads to chaos, and Earth might very well have imploded in their absence. Reading as a nonlinear diary, Cager grapples with his secrets, his should-have-dones, and what it means to be human, all while simultaneously begrudging and wielding his own social standing. Intermittent third-person omniscient chapters reveal the tandem story of the two stowaways as they slowly form bonds with Cager and Billy (spoiler alert: romance). Just like any journal, some thoughts are deeper than others, with the content meaning more to the writer than the reader. Cager is a drug-addicted, privileged kid on a stolen playground without any supervision, and the book reads with as much depth as his situation portends. The cast is presumed white save for a royal family of liquid blue life-forms.
A scattered sci-fi romp with occasional fun parts but a passable whole. (Science fiction. 14-17)Pub Date: Sept. 25, 2018
ISBN: 978-1-5344-2220-9
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: June 23, 2018
Kirkus Reviews Issue: July 15, 2018
An emotionally engaging closer that fumbles in its final moments.
Lara Jean prepares for college and a wedding.
Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.
An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)Pub Date: May 2, 2017
ISBN: 978-1-4814-3048-7
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
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BOOK TO SCREEN
Several yards short of a touchdown.
A transgender boy starting over at a new school falls hard for a popular cheerleader with a reputation to protect in this debut.
On the first day of senior year, transgender boy Pony locks eyes with cisgender cheerleader Georgia. They both have pasts they want to leave behind. No one at Hillcrest High knows that Pony is transgender, and he intends to keep it that way. Georgia’s last boyfriend shook her trust in boys, and now she’s determined to forget him. As mutual attraction draws them together, Pony and Georgia must decide what they are willing to risk for a relationship. Pony’s best friend, Max, who is also transgender, disapproves of Pony’s choice to live stealth; this disagreement leads to serious conflict in their relationship. Meanwhile, Georgia and Pony behave as if Pony’s trans identity was a secret he was lying to her about rather than private information for him to share of his own volition. The characters only arrive at a hopeful resolution after Pony pays high physical and emotional prices. McSmith places repeated emphasis on the born-in-the-wrong-body narrative when the characters discuss trans identities. Whiteness is situated as the norm, and all main characters are white.
Several yards short of a touchdown. (Fiction. 14-17)Pub Date: May 26, 2020
ISBN: 978-0-06-294317-0
Page Count: 368
Publisher: HarperTeen
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
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