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SWEET JUSTICE

A bare-bones police story that never gets going.

Smith tells the story of a shooting victim who decides to become a cop in this debut novel.

Terry Woods, 22, works at a series of temp jobs that never lead to permanent employment. He lives at home with his workaholic mother, who harangues him to find a real career, and his teenage brother, Joe, who tries to shirk his own responsibilities. Things aren’t great for Terry, but they get a lot worse one fateful night when he’s assaulted by two men walking home from a KFC. Terry hands over some money, but it’s not enough for the muggers: “I hear two bullets being fired off and I feel one hit me in the chest and one bouncing off my right shoulder.” Terry survives the shooting, but the brush with death clarifies what he wants out of life. He decides to become a police officer in order to try to prevent such violent acts from happening to members of his Milwaukee neighborhood, which has seen its living standard deteriorate in recent years. Some people in Terry’s circle are suspicious of the police’s ability to treat African-Americans fairly, but Terry, who’s African-American himself, thinks that he can bring a degree of equity to the profession. When his mother gets laid off from work, he feels even more urgency to be successful, although difficulties at the police academy make him consider giving up. Terry must push himself in order to fulfill his dream and finally win some justice for his community, his family, and himself. Smith writes in a simple, conversational style that’s easy to follow. However, there’s sometimes a sloppiness to the prose that detracts from the overall reading experience, as in this repetitious line that also appears to be missing a word: “On the way to the club, we listen to [a] variety of artists and before we know it, we are arriving at the club.” Although the novel is less than 150 pages long, much of its text is wasted on wooden exchanges of dialogue that have nothing to do with the main plotline (“Larry Sanders had twenty-five points and seventeen rebounds.” “He has been playing some great basketball lately.” “If he keeps playing like this, Sanders might make the All-Star team.”) The story proceeds in this lethargic manner for most of its duration before finally attempting some narrative movement in the final pages. Much of the overall page count, though, is taken up with unnecessary accounts of Terry’s mundane tasks; although Terry is shot on Page 18, he doesn’t interview for a police job until Page 100. Overall, the book doesn’t fit easily into any genre; there’s not enough criminal activity to call it a crime novel, but the author doesn’t develop the characters or their motivations well enough to make it work as literary fiction. The ending is predictable and poorly executed, which will leave the reader with none of the emotional satisfaction that the book’s title promises.

A bare-bones police story that never gets going.

Pub Date: July 1, 2017

ISBN: 978-1503048614

Page Count: 138

Publisher: CreateSpace

Review Posted Online: Sept. 20, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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