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SWEET JUSTICE

A bare-bones police story that never gets going.

Smith tells the story of a shooting victim who decides to become a cop in this debut novel.

Terry Woods, 22, works at a series of temp jobs that never lead to permanent employment. He lives at home with his workaholic mother, who harangues him to find a real career, and his teenage brother, Joe, who tries to shirk his own responsibilities. Things aren’t great for Terry, but they get a lot worse one fateful night when he’s assaulted by two men walking home from a KFC. Terry hands over some money, but it’s not enough for the muggers: “I hear two bullets being fired off and I feel one hit me in the chest and one bouncing off my right shoulder.” Terry survives the shooting, but the brush with death clarifies what he wants out of life. He decides to become a police officer in order to try to prevent such violent acts from happening to members of his Milwaukee neighborhood, which has seen its living standard deteriorate in recent years. Some people in Terry’s circle are suspicious of the police’s ability to treat African-Americans fairly, but Terry, who’s African-American himself, thinks that he can bring a degree of equity to the profession. When his mother gets laid off from work, he feels even more urgency to be successful, although difficulties at the police academy make him consider giving up. Terry must push himself in order to fulfill his dream and finally win some justice for his community, his family, and himself. Smith writes in a simple, conversational style that’s easy to follow. However, there’s sometimes a sloppiness to the prose that detracts from the overall reading experience, as in this repetitious line that also appears to be missing a word: “On the way to the club, we listen to [a] variety of artists and before we know it, we are arriving at the club.” Although the novel is less than 150 pages long, much of its text is wasted on wooden exchanges of dialogue that have nothing to do with the main plotline (“Larry Sanders had twenty-five points and seventeen rebounds.” “He has been playing some great basketball lately.” “If he keeps playing like this, Sanders might make the All-Star team.”) The story proceeds in this lethargic manner for most of its duration before finally attempting some narrative movement in the final pages. Much of the overall page count, though, is taken up with unnecessary accounts of Terry’s mundane tasks; although Terry is shot on Page 18, he doesn’t interview for a police job until Page 100. Overall, the book doesn’t fit easily into any genre; there’s not enough criminal activity to call it a crime novel, but the author doesn’t develop the characters or their motivations well enough to make it work as literary fiction. The ending is predictable and poorly executed, which will leave the reader with none of the emotional satisfaction that the book’s title promises.

A bare-bones police story that never gets going.

Pub Date: July 1, 2017

ISBN: 978-1503048614

Page Count: 138

Publisher: CreateSpace

Review Posted Online: Sept. 20, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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