by Andrew Tobias ‧ RELEASE DATE: Sept. 1, 1998
Tobias, premier financial author (The Only Other Investment Guide You’ll Ever Need, 1987; My Vast Fortune, 1997, etc.), now turns to autobiography and reveals to the few who don—t already know that he is homosexual. A quarter-century ago, using a nom de plume, Tobias wrote a gay classic, The Best Little Boy in the World, which has never since gone out of print. Now, using his true name, he brings us up to date on his own parallel progress in straight and gay worlds, and on the advances America has made in confronting those, like himself, whose “sex drive had been multiplied by minus one.” His concerns are unsurprising in an-emerging-from-the-closet memoir: how to tell the folks (there was no problem with the Tobiases, once Andy got around to doing it); dealing with losses to AIDS; loneliness; dating and the search for Mr. Right (his type is Tom Cruise); all the many blighted romances and the rigors of true love. Along the way come serial relationships with Peter, Scot, Ed, Tony, Bruce, Matt, Stevie, Tab, and now Charles, with whom Tobias has exchanged rings. And tells of the Renaissance Weekends—where our Merry Andrew became a true Friend of Bill, the Friendly President—and festive weekends at Fire Island, etc., etc. Withal, nothing much here is shocking. Tobias admits to being a good hugger but happily won’t confide further. Yet the text may enrage Trent Lott and Pat Robertson anyhow. It will probably engage some in the gay and lesbian community. The languorous passages may simply bore many straights who wander in hoping for investment advice. Tobias pleads for understanding, maybe a contribution to a good gay-rights cause, and, of course, auto insurance reform (his other constant worry). (Author tour)
Pub Date: Sept. 1, 1998
ISBN: 0-375-50111-8
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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