As for Columbus, it comes across much like other Midwestern cities in noir stories, which may be the point.

COLUMBUS NOIR

The latest stage in Akashic’s master plan to paint the world black is marked by 14 new stories whose most appealing features are their come-hither titles and the different shades of noir they invoke, from light gray to pitch black.

The hallmark here is competent but unspectacular professionalism that ticks all the boxes but originality. Sex fuels the plots of Robin Yocum’s “The Satin Fox,” in which a vice cop’s romance with a junkie stripper is threatened by blackmail; Kristen Lepionka’s “Gun People,” in which a wife takes up with one of the contractors upgrading the place her accountant husband has purchased; Craig McDonald’s “Curb Appeal,” which follows a woodworker’s romance with an interior decorator to its all-too-logical end; Mercedes King’s “An Agreeable Wife for a Suitable Husband,” whose ill-assorted title couple plot to rid themselves of each other; Julia Keller’s “All That Burns the Mind,” in which an Ohio State University English teacher finds a sadly predictable way of dealing with two problem students; and Khalid Moalim’s “Long Ears,” whose heroine learns a great deal about an ancient accident and a present-day murder but keeps mum. None of the entries excels editor Welsh-Huggins’ “Going Places,” in which a rising politician’s wife and fixer collude to shelter him from the consequences of his peccadilloes; the nearest competitors are Chris Bournea’s “My Name Is Not Susan” (a retired football player’s lover is suspected when he and his wife, the lover’s friend, are murdered), Tom Barlow’s “Honor Guard” (a chronically disappointing son negotiates frantically to keep his father out of prison after an argument with a stranger turns deadly), and Daniel Best’s “Take the Wheel” (a tawdry, fast-moving tale of a pair of frenemies whose partnership in a coffee shop is threatened by some lethally laced heroin). The newly arrived Chinese student in Nancy Zefris’ darkly comic “Foreign Study” manages to stumble through town without occasioning a single felony, and Laura Bickle’s “The Dead and the Quiet,” Lee Martin’s “The Luckiest Man Alive,” and Yolanda Tonette Sanders’ “The Valley” are notable for their closing intimations of grace, that rarest of qualities in noir.

As for Columbus, it comes across much like other Midwestern cities in noir stories, which may be the point.

Pub Date: March 3, 2020

ISBN: 978-1-61775-765-5

Page Count: 288

Publisher: Akashic

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

PRETTY AS A PICTURE

Murder and mayhem plague a film set on a secluded island off the coast of Delaware in Little’s (Dear Daughter, 2015, etc.) sophomore thriller.

When film editor Marissa Dahl takes a job on a new film directed by the talented but temperamental Tony Rees, she’s not given a script and must sign a mile-long nondisclosure agreement. It’s not ideal, but she needs the work. Escorted by an attractive ex–Navy SEAL named Isaiah, Marissa arrives on Kickout Island to find a bustling set, headquartered at a beautiful hotel, that is cloaked in secrecy and beset with dysfunction. Once Marissa gets down to work, she realizes that picking up the slack from the previous editor, who was fired for unknown reasons, won’t be smooth sailing and that the movie is based on the real-life unsolved murder of aspiring actress Caitlyn Kelly 25 years ago on that very island. Most folks assume that an eccentric ferry captain named Billy Lyle, a friend of Caitlyn’s, was the killer, but there was never enough evidence to convict. A few people, however, think he may be innocent. Marissa sets out to discover what really happened to Caitlyn with the help of Isaiah and two intrepid, tech-savvy 13-year-olds—Grace Portillo and Suzy Koh, whose parents work for the hotel. What she finds is a dead body and a whole lot of trouble. Readers fascinated with the behind-the-scenes machinations of a movie set will be enthralled, plus there’s a frisson of romantic tension between Isaiah and Marissa, and the island setting lends some spooky atmosphere. Snippets from Grace and Suzy’s true-crime podcast, Dead Ringer, are also sprinkled throughout. Though a killer on the loose adds a fair bit of urgency in the second half, the main focus is on Little’s singular narrator. Marissa relates to the world primarily through film and considers herself anything but typical: “It’s possible I’ve spent so much time watching movies that the language of film has infiltrated some primal, necessary part of my brain. I catch myself processing my own emotions in scenes, in shots, in dialogue.”

A quirky and distinctive heroine headlines this fun and fast-paced thriller loaded with cinematic flourishes.

Pub Date: Feb. 25, 2020

ISBN: 978-0-670-01639-6

Page Count: 352

Publisher: Viking

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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